
This article investigates sound practices in home video. Home video manuals and magazines recommended specific strategies for dealing with sound, often with the goal of gaining control over the openness and unpredictability of the situation being filmed. The subject of home video discourse (addressed in handbooks primarily as white, male, and the father of a family) was ideally the one that has image and sound well under control. But while manuals promised the possibility of (re)gaining control over home video, examples of recordings show the ultimate failure in realizing such a possibility. The article argues that listening to home videos can give insight on how media practices inscribe themselves into everyday life and are, therefore, linked to power relations, attempts to control, and scopes of action within the domestic sphere.
504014 Gender studies, conflicts in the private sphere, control over sound, Home Video, Privatheit, sound, Audiovisuelle Praktiken, audiovisual practices in the home, gender, 601022 Zeitgeschichte, Private Sphere, 605004 Cultural studies, 605004 Kulturwissenschaft, 508010 Mediengeschichte, 504014 Gender Studies, Geschlecht, Gender, Original Articles, Ton, audiovisual practices, 508010 Media history, Sound, age, 601022 Contemporary history, home video
504014 Gender studies, conflicts in the private sphere, control over sound, Home Video, Privatheit, sound, Audiovisuelle Praktiken, audiovisual practices in the home, gender, 601022 Zeitgeschichte, Private Sphere, 605004 Cultural studies, 605004 Kulturwissenschaft, 508010 Mediengeschichte, 504014 Gender Studies, Geschlecht, Gender, Original Articles, Ton, audiovisual practices, 508010 Media history, Sound, age, 601022 Contemporary history, home video
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