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The purpose of this article is to critically analyze the evolution of the representation of people with dwarfism from the collection of fairy tales made by the Brothers Grimm between the years of 1812 and 1815 to the contemporary cinematographic adaptations of the tale Snow White, showing to what extent the characters of these works resemble magical beings called ‘dwarfs’ or real people with dwarfism. Considering the importance of these works for the establishment of the “dwarf” image in the popular imagination, the purpose is to show how the characteristics attributed to them resulted in a stereotype full of prejudices that affects people with dwarfism to the present day.
A proposta do artigo é analisar criticamente a evolução da representação de pessoas com nanismo da coletânea de contos de fadas feita pelos irmãos Grimm entre 1812 e 1815 às adaptações cinematográficas contemporâneas do conto Branca de Neve, observando até que ponto os personagens presentes nessas obras se assemelham aos seres mágicos chamados ‘anões’ e a pessoas reais com nanismo. Tendo em vista a importância dessas obras para a fixação da imagem do ‘anão’ no imaginário popular, busca-se mostrar como as características atribuídas a esse personagem resultaram em um estereótipo carregado de preconceitos que até hoje afetam as pessoas com nanismo.
Branca de Neve, Nanismo, Estudo das deficiências, Irmãos Grimm, Adaptações, Branca de neve
Branca de Neve, Nanismo, Estudo das deficiências, Irmãos Grimm, Adaptações, Branca de neve
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