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SOBRE FORMA Y ESTRUCTURA EN «MISSA SINE NOMINE» DE CÉSAR ALEJANDRO CARRILLO

Authors: Deivis Gabriel Herrera González;

SOBRE FORMA Y ESTRUCTURA EN «MISSA SINE NOMINE» DE CÉSAR ALEJANDRO CARRILLO

Abstract

El propósito de la investigación, fue elaborar una descripción de los elementos compositivos que inciden en las nociones de forma y estructura de «Missa sine nomine» del compositor venezolano César Alejandro Carrillo, proponiendo unos lineamientos analíticos mínimos esenciales. Este estudio se sustenta en los planteamientos de Astor (2002), Hodeir (2006), Kühn (2003), Murphy (1967), Núñez Montes (2011), Paynter (1999), Roca y Molina (2006) y Zamacois (2002). El tipo de investigación fue un estudio de caso con un paradigma cuantitativo-positivista, con nivel de carácter descriptivo y documental, de diseño transeccional, no experimental. El estudio se abordó, de forma individual (cada sección específica de la misa por separado) y conjunta (comparadamente, dentro del contexto de la obra en general), estableciendo relaciones análogas y diferenciales en cuanto a forma y estructura que contribuyen al estudio teórico de la estética compositiva del autor

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Keywords

análisis musical, estructura música, Música coral venezolana, forma musical, misa latina

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popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
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influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
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