As discussed in a forthcoming publication, this figure represents the Phrygian/Hypophrygian scales produced by the Louvre Aulos. This setting is consistent with the Classical and Hellenistic evidence discussed in Lynch 2022a–b, and especially with Athenaeus' Paean (DAGM 20). Lynch, T. A.C., 2022b ‘Unlocking the Riddles of Classical Greek Melodies II: the Revolution of the New Music in the Ashmolean Papyri (DAGM 5–6) and Athenaeus’ Paean (DAGM 20)’, Greek and Roman Musical Studies 10.2, 416-467. High-res file on Academia.edu Lynch, T. A.C., 2022a ‘Unlocking the Riddles of Classical Greek Melodies I: Dorian Keys to the Harmonic Revolution of the New Music and the Hellenistic Musical Documents’, Greek and Roman Musical Studies 10.2, 383-415. High-res file on Academia.edu