This paper undertakes a semiotic examination of the first issue of The Multiversity specifically under the interpretative meaning connoted by the figure of the parasite. As a possible interpretation, this paper proposes to approach the parasite in relation to the Hegelian dialectic of the master and the slave and the theoretical-practical forms of the punk spirit and Debord's situationism, as a social critique of the marketing strategies of comics in the non-diegetic world.