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Quel est le rôle du thème alimentaire dans l’émergence de la figure de l’autre dans l’écriture viatique ? Nous avons voulu repenser le moment (aléatoire, mais tout de même quotidien) du repas en voyage en proposant une lecture métatextuelle des scènes alimentaires – car des mets aux mots il n’y a qu’un pas, et quand Alexandre Dumas père décrit certain repas qu’il fait en Andalousie, il recourt à des métaphores rhétoriques et génériques qui soulignent la proximité analogique entre le littéraire et le culinaire : « Nous étions couchés les uns sur les autres, mangeant comme nous pouvions et mangeant tous bien ; les verres étaient pour la moitié de nous des paradoxes, les fourchettes des traditions perdues, les assiettes des contes de fées. » VERSION AVANT PUBLICATION MAIS APRES EXPERTISE What is the role of the food theme in the emergence of the figure of the other in viatic writing? We wanted to rethink the (random, but still everyday) moment of the meal on a journey by proposing a metatextual reading of the food scenes - for there is only one step from food to words, and when Alexandre Dumas père describes certain meals he makes in Andalusia, he resorts to rhetorical and generic metaphors that underline the analogical proximity between the literary and the culinary: "We were lying on top of each other, eating as we could and all eating well; the glasses were for half of us paradoxes, the forks lost traditions, the plates fairy tales. " VERSION BEFORE PUBLICATION BUT AFTER EXPERTISE
cuisine, Alexandre Dumas père, Andalousie, Alexandre Dumas, Andalusia, travel, voyage
cuisine, Alexandre Dumas père, Andalousie, Alexandre Dumas, Andalusia, travel, voyage
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