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</script>SELECT BIBLIOGRAPHY Barker, A. (1989). Greek Musical Writings 2. Cambridge: CUP. Barker, A. (2007). The Science of Harmonics in Classical Greece. Cambridge: CUP. Barker, A. (2020). ‘Harmonics’ in Lynch, T. A.C. and Rocconi, E. (eds) A Companion to ancient Greek and Roman Music, Malden: Blackwell, 257–274. DAGM = Pöhlmann, E. and West, M.L. (2001). Documents of Ancient Greek Music: The Extant Melodies and Fragments. Oxford. dDAGM = Lynch, T. A.C. (2021). Database ‘Documents of Ancient Greek Music’. Version 1.1. Zenodo:https://doi.org/10.5281/zenodo.5181743 Hagel, S. (2010) Ancient Greek Music – A New Technical History. Cambridge. Lynch, T. (2018). ‘ “Without Timotheus, much of our melopoiia would not exist; but without Phrynis, there wouldn’t have been Timotheus”: Pherecrates’ twelve strings, the strobilos and the harmonic paranomia of the New Music’, Greek and Roman Musical Studies 6.2, 290–327. Lynch, T. A.C. (2020). ‘Tuning the Lyre, Tuning the Soul: Harmonía and the koś mos of the Soul in Plato’s Republic and Timaeus’, Greek and Roman Musical Studies 8.1, 111–55. Lynch, T . A.C. (2022a). ‘Unlocking the Riddles of Classical Greek Melodies I: Dorian Keys to the Harmonic Revolution of the New Music and the Hellenistic Musical Documents’, Greek and Roman Musical Studies 10.2. Lynch, T. A.C. (2022b). ‘Unlocking the Riddles of Classical Greek Melodies II: the Revolution of the New Music in the Ashmolean Papyri (DAGM 5–6) and Athenaeus’ Paean (DAGM 20)’, Greek and Roman Musical Studies 10.2. Lynch, T. A.C. (forthcoming 1). ‘Unlocking the Riddles of Imperial Greek Melodies I: the “Lydian” metamorphosis of the Classical harmonic system in the Imperial musical documents’. Martinelli, M.C. (2020). ‘Documenting Music’, in Lynch, T. A.C. and Rocconi, E. (eds) A Companion to ancient Greek and Roman Music, Malden: Blackwell, 103–115. West, M.L. (1992). ‘Analecta Musica’, Zeitschrift für Papyrologie und Epigraphik 92: 1–54. West, M.L. (1994). Ancient Greek Music. Oxford: OUP.
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