{"references": ["Adruh, A. (2008). Arkhitektura Chernihova druhoi polovyny \u0425VII \u2013 pochatku \u0425VIII stolit [Chernihiv architecture of the second half of XVII \u2013 early XVIII centuries]. Chernihiv, Ukraine.", "Adruh, A. (2017). Hrafika Chernihova druhoi polovyny \u0425VII \u2013 pochatku \u0425VIII stolit [Chernihiv graphic of the second half of XVII \u2013 early XVIII centuries]. Chernihiv, Ukraine.", "Adruh, A. (2020). Derevorizblennia ta ikonostasy Chernihova druhoi polovyny \u0425VII \u2013 pochatku \u0425VIII st. [Chernihiv woodcarving and iconostasis of the second half of XVII \u2013 early XVIII c.]. Siverianskyi litopys \u2013 Siverianian chronicle, 2.", "Adruh, A., Arendar, \u041d. (1999). Vydatna pamiatka zolotarstva [Memorable jotting of gold tilling]. Siverianskyi litopys \u2013 Siverianian chronicle, 6.", "Adruh, A., Arendar, \u041d. (2009). Sribnokarbovanyi kiot prechystoi Bohomateri [Silver minted ark of Holy Mother]. Pamiatky Ukrainy \u2013 Landmaks of Ukraine, 1.", "Arendar, H. (2002). Hdanske sriblo v zibranni Chernihivskoho istorychnoho muzeiu imeni V.V. Tarnovskoho [Gdansk silver in the collection of the Chernihiv Historical Museum named after V.V. Tarnowski]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vyp. 2. Chernihiv, Ukraine.", "Arendar, H. (2002). Tserkovni starozhytnosti Chernihova \u0425VII\u2013\u0425VIII st. [Church antiquities of Chernihiv of XVII\u2013XVIII c.]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vyp. 3. Chernihiv, Ukraine.", "Arendar, H. (2005). Vrotslavske sriblo z fondiv Chernihivskoho istorychnoho muzeiu imeni V.V. Tarnovskoho [Wroclaw silver from the funds of the Chernihiv Historical Museum named after V.V. Tarnowski]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vol. 5. Chernihiv, Ukraine.", "Arendar, H. (2006). Sribnyi posud \u0425VII \u2013 pochatku \u0425\u0425 stolit. Kolektsiia Chernihivskoho istorychnoho muzeiu imeni V.V. Tarnovskoho: Albom [Silver dishes of XVII \u2013 early XX centuries. Collection of the Chernihiv Historical Museum named after V.V. Tarnowski: Album]. Kyiv, Ukraine.", "Arendar, H. (2016). \u00abZnachyk\u00bb nizhynskoho zolotarskoho tsekhu 1786 r. [Icon of the Nizhyn goldsmith's shop of 1786]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vyp. 17. Chernihiv, Ukraine.", "Arendar, H. (2016) Naprestolne yevanheliie z Katerynynskoi tserkvy [The enthronement Gospel from St. Catherine's Church]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vyp. 16. Chernihiv, Ukraine.", "Arendar, H. (2021). Sribni oklady Yevanhelii \u0425VII\u2013\u0425\u0406\u0425 stolit iz zibrannia Chernihivskoho istorychnoho muzeiu im. V.V. Tarnovskoho [Silver salaries of the Gospel of XVII\u2013XIX centuries from the collection of the Chernihiv Historical Museum named after V.V. Tarnowski]. Kyiv, Ukraine.", "Arendar, H., Honcharenko, V., Adruh, A. (2019). Dukachi u zibranni Chernihivskoho istorychnoho muzeiu imeni V.V. Tarnovskoho. Kataloh [Dukachi in collection of the Chernihiv Historical Museum named after V.V. Tarnowski. Catalog]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vyp. 20. Chernihiv, Ukraine.", "Blakytnyi, M. (2013). Harmaty z kolektsii Vasylia Tarnovskoho u Chernihivskomu istorychnomu muzei imeni V.V. Tarnovskoho [Cannons from the collection of Vasyl Tarkovsky in the Chernihiv Historical Museum named after V.V. Tarnowski]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vyp. 15. Chernihiv,Ukraine.", "Holub, V.M. (2011). Restavratsiia, rekonstruktsiia ta doslidzhennia sribnoi shaty kiota chudotvornoi ikony Bohorodytsi Troitsko-Illinskoi Chernihivskoi [Restoration, reconstruction and research of silver riza ark of the miraculuos Chernihiv Trinity-Illinoise Mother of God]. Naukovi dopovidi VIII Mizhnarodnoi naukovo-praktychnoi konferentsii. Doslidzhennia, restavratsiia ta preventyvna konservatsiia muzeinykh pamiatok. Suchasnyi stan. Perspektyvy \u2013 Scientific reports of the VIII International scientific-practical conference. Research, restoration and preventive conservation of museum monuments. Modern status. Perspectives. Kyiv, Ukraine.", "Kindratiuk B. (2008). Dzvonarske mystetstvo serednovichnoi Ukrainy [Bell-ringing art of medieval Ukraine]. Kniazha doba: istoriia i kultura \u2013 Princely era: history and culture.", "Kovalenko O. (2007). Realii ta lehendy nakaznoho hetmana Pavla Polubotka. Ukraina \u2013 kozatska derzhava [Realities and legends of the acting hetman Paul Polubotko. Ukraine \u2013 Cossack state]. Kyiv, Ukrain\u0435.", "Lohvyn, H. Uporiad. H.N. Lohvyn, N.H. Lohvyn (2001). Sobor Sviatoi Sofii v Kyievi [Hagia Sophia in Kiev]. Kyiv, Ukrain\u0435.", "Malchenko, O. (2007). Khudozhnie lyttia harmat u Hetmanshchyni za chasiv pravlinnia Ivana Mazepy [Artistic casting of guns in the Hetmanate during the reign of Ivan Mazepa]. Kyiv,Ukrain\u0435.", "Malchenko, O. (2008). Khudozhnie oformlennia harmat chasiv Ivana Mazepy [Artistic design of guns in times of Ivan Mazepa]. Hetman Ivan Mazepa: postat, otochennia, epokha \u2013 Hetman Ivan Mazepa: figure, environment, era. Kyiv, Ukrain\u0435.", "Mykhailova, R. (2011). Metaloplastyka. Istoriia ukrainskoho mystetstva [Metaloplasty. The history of Ukrainian art]. Vol. 3. Kyiv, Ukrain\u0435.", "Polovnykova, S.O., Sytyi, I.M. Vidp. redaktor Kovalenko, O.B. (1998). Kolektsiia kyrylychnykh starodrukiv iz zibrannia Chernihivskoho istorychnoho muzeiu imeni V.V. Tarnovskoho. Kataloh [Collection of Cyrillic old prints from the collection of the Chernihiv Historical Museum named after V.V. Tarnowski. Catalog]. Kyiv, Ukrain\u0435.", "Sytyi, I. (2017). Dedykatsiia yasnovelmozhnomu Ivanu Mazepi \u2013 shedevr ukrainskoho drukarstva [Dedication to the clairvoyant Ivan Mazepa \u2013 a masterpiece of Ukrainian printing]. Skarbnytsia ukrainskoi kultury. Zb. naukovykh prats \u2013 The treasury of Ukrainian culture. Collection of scientific works. Vyp. 18. Chernihiv. Ukrain\u0435.", "Travkina, O. (1995). Tsarski vrata z Boryso-Hlibskoho soboru m. Chernihova [Royal gate in Church of Saint Boris and Gleb in Chernihiv]. Siverianskyi litopys \u2013 Siverianian Chronicle, 1.", "Travkina, O. (2018). Mazepyna brama. Tsarski vorota ikonostasu Boryso-Hlibskoho soboru m. Chernihova [Mazepa gate. Royal gates of the iconostasis of the Boryso-Hlib cathedral of Chernihiv]. Chernihiv, Ukrain\u0435.", "Tyshchenko, O.R. (1992). Istoriia dekoratyvno-prykladnoho mystetstva Ukrainy (\u0425II\u2013\u0425VIII st.): Navchalnyi posibnyk [The history of art and crafts of Ukraine (XII\u2013XVIII c.): Textbook]. Kyiv, Ukrain\u0435."]}

The purpose of the article is to highlight the features of metal sculpture in Chernihiv in the second half of the seventeenth and early eighteenth centuries, its development in relation to other arts. The research methodology is based on a systematic approach, on the general scientific principles of objectivity and historicism, which provide an opportunity to comprehensive study of the artistic processing of metals of this period. The scientific novelty of the work is determined by the formulation and development of a topic that has not yet been considered. The first attempt to comprehensively study this problem. Conclusions. The range of monuments that best representing the achievements of artistic processing of metals of that time is outlined. Artistic casting is represented by ornamented bells and guns, as well as inkwells, utensils, lighting fixtures. The works of blacksmiths successfully complemented the buildings. It was found that the envelope of the door to the sacristy of the Chernihiv Trinity Cathedral is similar in composition to carpets and embroidered tablecloths. The absence of works made in Chernihiv has been established. Therefore, it was decided to involve in consideration works ordered by masters of other cities and countries by residents of Chernihiv or people associated with the city. The works were divided into groups according to the place of creation. Attention is paid to the work of goldsmiths on the sketches (projects) of artists. It was in the sketches that the composition, characteristic details and stylistic peculiarities were laid down. The customers were Hetman I. Mazepa, Chernihiv colonels J. Lyzohub and P. Polubotok, general convoy V. Dunyn-Borkovsky, clerk and judge Karpo Mokrievych, Chernihiv archbishop Anthony Stakhovsky, Chernihiv burgher Vlasiy N. Performed works were made by craftsmen from Ukraine, Koenigsberg, Ausburg, Nurnberg, Wroclaw, Gdansk, Moscow. Baroque features were clearly manifested in the metal sculpture of Chernihiv of this period.