Generative AI technologies, both visual and musical, have created conflicts around their authenticity, as well as a concern of AI taking over the art world in recent years. By tracing these concerns back to photography and computer art, it can be observed that the same questions gained the same popularity by creating a societal level of controversy whenever new technologies are presented to art-making. This paper discusses different philosophical perspectives creating this controversy by comparing two ontologic discourses of AI Art. This attempt becomes epistemological and ethical due to the varying prerequisites, assumptions, and possible future implications of ideologies leading transhumanism and them. An opinionated debate Posthumanism through onto-ethico-epistemological explanations for AI Art and Music firstly as a creativity enhancement tool, and secondly as co-creation of an assemblage consisting of human and non-human parts; to elucidate how these different conceptualising may lead our culture to disparate futures.