ABSTRACT (2026) Completed in 2004 as part of the MA Creative Imaging programme at the University of Huddersfield, Authorship and Creative Imaging examines the role of authorship in graphic design and the tensions between creative intention, commercial communication, branding, and the needs of an audience. The paper questions the tendency of commercial design to communicate toward generalized demographics and to rely upon the appropriation of prevailing visual trends, asking whether design can instead engage audiences through more personal, meaningful, and emotionally resonant forms of communication. Drawing on writing from design criticism, literature, art, branding, and cultural theory, the paper considers authorship not simply as individual expression, but as a means of bringing values, intention, narrative, and human experience into the design process. These ideas were tested through creative practice in a project made specifically for the author's grandmother, with the stated purpose of "moving her heart with graphic design." The resulting book, Forever Found, combines family history, memory, narrative, illustration, photography, typography, and found material to explore communication with a single, known individual rather than an anonymous market. The project ultimately challenged the author's own assumptions about creative success. Technical perfection and stylistic sophistication became less important than whether an imperfect work could communicate care, evoke memory, and make its intended recipient happy. The paper therefore proposes an alternative understanding of design authorship grounded in intention, relationship, emotional communication, and service, while retaining a critical awareness of the commercial conditions in which professional designers work. This abstract was prepared in 2026 to accompany the archival publication of a work completed in 2004. The original paper has been preserved without substantive revision. --- CONTEXT Unpublished master's research and creative practice paper completed in 2004 as part of the MA Creative Imaging degree at the University of Huddersfield. This record includes the thesis paper and Forever Found, the accompanying creative project created for the author's grandmother. The author also produced a larger approximately 50-page MA design portfolio during the same period, exploring related ideas through irony, Dada, and other experimental approaches to visual communication; the original physical portfolio remains in the author's personal archive and is not included in this record.