This research article examines selected spiritually and philosophically oriented Haryanvi Ragnis composed by Anand Kumar Ashodhiya through interdisciplinary frameworks of Pingal prosody, oral tradition studies, folk-performance aesthetics, Vedantic consciousness and ethical sociology. The study analyses themes of guru-veneration, devotional consciousness, social ethics, cultural memory and vernacular metaphysics within contemporary Haryanvi Saang-Shaili traditions. Special emphasis is placed upon Chhand architecture, Yati structure, Guru-Laghu sequencing, refrain systems and performative cadence within North Indian oral-poetic traditions.