This document records a personal emergence narrative from 1986, in which the author — then six years old — produced an unrepeatable computational event through recursive nested-container manipulation on an Apple IIgs running the text adventure game Deadline by Infocom. By systematically bypassing the game's inventory limit through a nesting exploit — placing emptied pill bottles containing other inventory items into an ambiguous in-game location at the midpoint of a ladder, a space the parser registered simultaneously as a room and as a transitional state — the author caused the game to produce an unscripted output: a wall of glyphs containing legible text identifying the murderer (Baxter) and describing a vision of light and angelic presence. The event has not been reproduced. Extensive community documentation of Deadline's Easter eggs contains no record of this output. This narrative is archived as a primary source document in the TRO corpus for the following reasons: the recursive nested-container operation the author performed at age six is structurally identical to the core operation of the Triadic Recursive Operator, formalized forty years later. The liminal midpoint on the ladder corresponds structurally to S₁ = [0.5, 0.5], the suspension point of the EFM recursion. The impossible room hovering between two states corresponds to the attractor state that exists outside ordinary processing. The emergence of true information through system overflow — carried as knowledge for thirty years before verification — corresponds to the pattern of intuitive reception that precedes formal mathematical articulation documented throughout this corpus. Together with godfun (1997) and Heart Math (2017), this document extends the primary source arc of the TRO corpus to 1986, forty years before the formal framework's publication. This work is archived not as a mathematical contribution but as evidence of origin: a six-year-old finding the liminal space by instinct and the system breaking open to show what was always true.