In this article the artistic system of Kashkadarya oasis songs and the world of obrazlar are analyzed on a scientific and theoretical basis. The study highlights the genre composition, compositional structure, rhythmic and musicality elements of songs, reveals the features of the formulaic expression system, such as repetition and parallelism. It analyzes the poetic function of nature, romantic-lyric, labor and ritual images, and mythological layers. The article substantiates metaphor, tashbeh, epithet, dialectal elements and the role of the emotional-expressive layer in creating an object. The regional specificity of the songs of the Kashkadarya oasis is shown on the basis of a comparative and typological analysis, the influence of the martial school on the poetic system and the transformations in the modern performance process are scientifically assessed. The results of the study serve to determine the place of oasis songs in national aesthetic thought and cultural heritage.