
Mazkur maqolada Alisher Navoiy ruboiylarida tazod san’atining o‘rni va badiiy-falsafiy vazifasi ilmiy mezonlar asosida tahlil qilinadi. Tadqiqot jarayonida ruboiylar ochiq tazod, yashirin (semantik) tazod va tazod mavjud bo‘lmagan namunalar sifatida guruhlanadi. Kun va tun, borlik va yo‘qlik, visol va hijron, sidq va kizb kabi qarama-qarshi tushunchalar orqali shoirning ishqiy, axloqiy va falsafiy qarashlari yoritiladi. Maqolada tazod san’atining Navoiy ruboiylarida mazmunni chuqurlashtirish va estetik ta’sirni kuchaytirishdagi roli asoslab beriladi.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
