
O presente artigo incide nas memórias fotográficas de Luís Pires de Castro, que integra retratos da década de 1920 à década de 1960, tendo como objetivo construir um mosaico de memórias de uma comunidade, no sentido de pertença e de identidade. Este trabalho visa retratar o quotidiano de uma comunidade para salvaguarda do património cultural.
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