Concert 1: Opening Concert Concert Session (Video Link) Date: Tuesday 2025-06-24 18:30-20:30 AESTLocation: Kambri Drama TheatreChair: Sophie Rose (17) Interstellar (21 minutes) by Ivica Bukvic; L2ORK International Ensemble Members: Preston Arnn, Ivica Ico Bukvic, Uma Futoransky, Val Gigena, Gala Gonzalez Barrios, Justin Kerobo, Joaquín Montecino, William Rhodes, and Jacob Alan Smith (162) (un)Stable (dis)Connection (8 minutes) by Misagh Azimi (178) Carpet Entanglement (20 minutes) by Joseph Burgess (238) {riversynth} (10 minutes) by Leah Barclay; Toby Gifford (292) Playing the sound image – Individual immersive sound performance by a performer wearing parametric speakers - (12 minutes) by risako shibata; miki kanda; kenta tanaka; ryoho kobayashi; yuta uozumi; shinya fujii Papers 1: Collective and Embodied Papers Session (Video Link) Date: Wednesday 2025-06-25 09:00-10:30 AESTLocation: Kambri CinemaChair: Tara Pattenden (68) Between Garment and Prosthesis: The Design of an E-Textile Musical Interface (5 minutes) by Qiaosheng Lyu; Ryo Ikeshiro (78) Towards Neurodiverse Sensemaking: Pluralizing Agency in Wearable Music and Participatory Workshopping (15 minutes) by Seth Thorn; Anani Vasquez; Corey Reutlinger; Margarita Pivovarova; Mirka Koro (138) Visually-Led Design for Gestural Audiovisual Instruments (15 minutes) by Sam Trolland; Alon Ilsar; Jon McCormack (279) Hyperwilding: Sonic Perplexity as Urban Acupuncture to Promote Environmental Kinship (10 minutes) by Shomit Barua (323) Drawing Space with Rain: The Umbrella as a Flow Interface (15 minutes) by Kana Yamaguchi; Yuga Tsukuda; Yoichi Ochiai Papers 2: Novel Techniques and Technologies Papers Session (Video Link) Date: Wednesday 2025-06-25 11:00-12:30 AESTLocation: Kambri CinemaChair: Ben Swift (50) Drum Modal Feedback: Concept Design of an Augmented Percussion Instrument (15 minutes) by Lewis Wolstanholme; Jordie Shier; Rodrigo Constanzo; Andrew McPherson (115) Evolving the Living Looper: Artistic Research, Online Learning, and Tentacle Pendula (10 minutes) by Victor Shepardson; Halla Steinunn Stefánsdóttir; Thor Magnusson (147) Audiation Development System for Gugak's Fluid Musical Parameters Utilizing Audio Feedback Stimuli (15 minutes) by Michaella Moon; Dale Carnegie; Jim Murphy (161) Threading the Sound: The Carpet Tufting Gun as an Electroacoustic Performance Interface (5 minutes) by Joseph Burgess; Toby Gifford (198) Designing Percussive Timbre Remappings: Negotiating Audio Representations and Evolving Parameter Spaces (15 minutes) by Jordan Shier; Rodrigo Constanzo; Charalampos Saitis; Andrew Robertson; Andrew McPherson Posters 1 Posters Session (Video Link) Date: Wednesday 2025-06-25 13:30-14:30 AESTLocation: Kambri FoyerChair: Yichen Wang (8) Eco-Sonic Interfaces for Embodied AI Sound Exploration (5 minutes, remote) by Sabina Hyoju Ahn; Ryan Millett; Seyeon Park (13) Instant Design: Five Strategies for the use of Generative AI in NIME Ideation Workshops (5 minutes, remote) by Hugh Aynsley; Pete Bennett; Dave Meckin; Sven Hollowell; Thomas J. Mitchell (19) A Study to Discover Metrics to Measure Kinesthetic Empathy During Interactive Music Performance (5 minutes, remote) by Ryan Ingebritsen; Daniel Evans; Christopher Knowlton (20) XR Musical Keyboard: An Extended Reality Keyboard with an Arbitrary Number of Keys and Pitches (5 minutes, in person) by Tatsunori Hirai; Jack Topliss; Thammathip Piumsomboon (25) Appropriating Technology for Interactive Media in Theatre: Design Strategies and Aesthetic Insights (5 minutes, remote) by Ruoxi Jia; Xuebiao Liu (31) pybela: a Python library to interface scientific and physical computing (5 minutes, in person) by Teresa Pelinski; Giulio Moro; Andrew McPherson (33) Waveform Autoencoding at the Edge of Perceivable Latency (5 minutes, in person) by Franco Caspe; Andrew McPherson; Mark Sandler (44) Out-of-Control Feedback Systems and Collaborative Influence with the Instrumentalist Mixer Feedback Transmutation System (5 minutes, remote) by Nolan Hildebrand; Timothy Roth (49) Introducing EG-IPT and ipt~: a novel electric guitar dataset and a new Max/MSP object for real-time classification of instrumental playing techniques(5 minutes, in person) by Marco Fiorini; Nicolas Brochec; Joakim Borg; Riccardo Pasini (55) Repurposing a Rhythm Accompaniment System for Pipe Organ Performance (5 minutes, remote) by Nicholas Evans; Behzad Haki; Sergi Jorda (57) Turntable-Based Electronic Music and Embodied Audience Interaction (5 minutes, remote) by Tak Cheung Hui; Xiaoqiao Li; Yu Chia Kuo (62) You’re An Instrument!: Creating active music-making experiences through worldbuilding and storytelling (5 minutes, in person) by Ciaran Frame; Erick Mitsak; Alon Ilsar (64) Sculpting the Sound Atom: Towards Per-Grain Parameterisation and Interfacing in Granular Synthesiser Design (5 minutes, in person) by Nathan Carter; Jim Murphy; Mo Zareei (66) Harmonix Series: Accessible Digital Musical Instruments for Mindfulness and Creativity (5 minutes, in person) by Wing Hei Cheryl Hui; Patrick Hartono (70) Creating a White Noise Instrument for Collaborative Improvisation (5 minutes, in person) by Austin Oting Har; Kurt Mikolajczyk (71) Collaboration and Recursion: reflections on Chinese calligraphy and feedback (5 minutes, in person) by Iurii Kuzmin; Raul Masu; Omar Al Kanawati (123) Making the Immaterial Material: A Diffractive Approach Toward a Politics of Material Culture Within NIME (5 minutes, in person) by Brittney Allen; Andrew Mcpherson; Alexandria Smith; Jason Freeman (154) LIMITER: A Gamified Interface for Harnessing Just Intonation Systems (5 minutes, remote) by Antonis Christou Papers 3: Body and Motion Papers Session (Video Link) Date: Wednesday 2025-06-25 16:00-17:00 AESTLocation: Kambri CinemaChair: Sam Trolland (11) Simulated EEG-Driven Audio Information Mapping Using Inner Hair-Cell Model and Spiking Neural Network (15 minutes) by Pasquale Mainolfi (107) EMMA: Enhancing Real-Time Musical Expression through Electromyographic Control (5 minutes) by João Coimbra; Luís Aly; Henrique Portovedo; Sara Carvalho; Tiago Bolaños (129) Aquapella- Gestural Interactions with Liquid Turbulence as Musical Expression (15 minutes) by John Lettang; August Black (229) From Performance to Installation: How Interactive Reinforcement Learning Reframes the Roles of Performers and Audiences (10 minutes) by Danny Perreault; Victor Drouin-Trempe; Vincent Cusson; David Drouin; Sofian Audry; Concert 2 Concert Session (Video Link) Date: Wednesday 2025-06-25 19:00-20:30 AESTLocation: Kambri Drama TheatreChair: Nicole Carroll (43) State Change: Merging Adaptive Music Technology with Disability Aesthetics (5 minutes) by Molly Joyce (79) Diffractive Constellations: A Modular System for Acoustic Violin Programmed in Max/Gen (6 minutes) by Seth Thorn (194) We’re in this together: Expanding Interactive Sonic Spaces (11 minutes) by Davor Vincze; Maurice Oeser (257) Breathing I (7 minutes) by Sophie Rose (258) Breathing III (10 minutes) by Sophie Rose (307) Gaia is hanging by a thread... (7 minutes) by Taurin Barrera Concert 3 Concert Session (Video Link) Date: Wednesday 2025-06-25 21:00-23:00 AESTLocation: Big Band RoomChair: Alexander Hunter (40) Sonic Crucible Entanglements (16 minutes) by Jordan Lacey; Toby Gifford; Mick Harding (89) Housework Commons: Textile Rhetorics II (10 minutes) by Jocelyn Ho (116) Echoes of Nature's Heritage - Composed for a custom-made data-driven instrument (6 minutes) by Yixuan Jin (182) My sunset is your sunrise, yet we touch (20 minutes) by Dirk Stromberg; Jocelyn Ho; MIchal Seta (183) Becoming (8 minutes) by Lilian Zhao Papers 4: Environment, Sustainability, Longevity Papers Session (Video Link) Date: Thursday 2025-06-26 09:00-10:30 AESTLocation: Kambri CinemaChair: Sally Jane Norman (10) Looping slowly: Diffraction through the lens of nostalgia (15 minutes) by Benedict Gaster; Nathan Renney; Jasmine Butt (90) Longevity of Deep Generative Models in NIME: Challenges and Practices for Reactivation (10 minutes) by Isaac Clarke; Francesco Ardan Dal Rí; Raul Masu (96) Embodying Sustainability: Paving Opportunities for NIME Research (15 minutes) by Xinran Chen; Iurii Kuzmin; Mela Bettega; Raul Masu (153) Ongoing Production of a “Growing Instrument” Using Mycelium-Based Materials (5 minutes) by Taisei GOTO; Kazuhiro JO Papers 5: Machine Learning and Co-Creativity Papers Session (Video Link) Date: Thursday 2025-06-26 11:00-12:30 AESTLocation: Kambri CinemaChair: Victor Shephardson (39) Synthetic Ornithology: Machine learning, simulations and hyper-real soundscapes (15 minutes) by Frederick Rodrigues (131) Touching Wires: tactility and a quilted musical interface for human-AI musical co-creation (15 minutes) by Sandy Ma; Charles Patrick Martin (160) Adaptation and Perceived Creative Autonomy in Gesture-Controlled Interactive Music (15 minutes) by Jason Smith; Jason Freeman (222) Gesture-Driven DDSP Synthesis for Digitizing the Chinese Erhu (10 minutes) by Wenqi WU; Hanyu QU (230) Enabling Embodied Music-Making for Non-Musicians (10 minutes) by Lucía Montesínos; Halfdan Hauch Jensen; Anders Løvlie Posters 2 Posters Session (Video Link) Date: Thursday 2025-06-26 13:30-14:30 AESTLocation: Kambri FoyerChair: Yichen Wang (67) Decoupling Physical and Virtual Spaces in Co-Located Collaborative Mixed Reality Instruments with gRAinyCloud (5 minutes, remote) by Pierrick Uro; Florent Berthaut; Thomas Pietrzak; Marcelo Wanderley (73) VentHackz: Exploring the Musicality of Ventilation Systems (5 minutes, remote) by Maham Riaz; Ioannis Theodoridis; Çağrı Erdem; Alexander Refsum Jensenius (94) A Computer Application to Explore 53-Tone Equal Temperament Harmonies Through Modal Interchange (5 minutes, remote) by David Dalmazzo; Ken Déguernel; Bob Sturm (124) The Sparksichord: Practical Implementation of a Lorentz Force Electromagnetic Actuation and Feedback System (5 minutes, in person) by Adam Schmidt; Jeffrey Snyder; Gian Torrano Jacobs; Joyce Chen; Joseph Gascho; Andrew McPherson (125) Creating a Real-Time Responsive Handbalancing Interface with HAND★CS (5 minutes, remote) by Linnea Kirby; Christiana Rose; Jeremy Cooperstock; Marcelo Wanderley (135) The Shadow Harvester: Sonifying the Body Through Light (5 minutes, in person) by Darlene Castro (139) Exploring Musical Creation Through Brain-Body Digital Musical Instruments (5 minutes, remote) by Yue Wang; Meiling Wu (140) Mixer Metaphors: audio interfaces for non-musical applications (5 minutes, in person) by Tace McNamara; Jon McCormack; Maria Teresa Llano (146) ViVo: Piano Learning Through Visualizing Vocalizations on a Lighted Keyboard (5 minutes, remote) by Maya Caren (148) Tiny Touch Instruments: Composing for Collaborative Mobile Performance (5 minutes, in person) by Rebecca Abraham (155) The EV: An Iterative Journey in Digital-Acoustic String Instrument Augmentation (5 minutes, remote) by Brian Lindgren (156) Live Improvisation with Fine-Tuned Generative AI: A Musical Metacreation Approach (5 minutes, in person) by Misagh Azimi; Mo H. Zareei (163) Towards the Continuous Harmonium: Replicating the Continuous Keyboard (5 minutes, in person) by Travis West; Ninad Puranik; Marcelo Wanderley; Gary Scavone (165) Maximum Silence to Noise: Sound synthesis for responsive gestural control (5 minutes, in person) by Andrew Brown (167) SwimTunes: A gamified music performance system for co-creating with a novice audience (5 minutes, in person) by Thomas Studley (172) A Synthetic Cicada Soundscape Controlled by Breath (5 minutes, in person) by Toby Gifford (179) Augmentation of a Historical Harpsichord Keyboard Replica for Haptic-Enabled Interaction in Museum Exhibitions (5 minutes, in person) by Matthew Hamilton; Michele Ducceschi; Roberto Livi; Catalina Vicens; Andrew McPherson (189) PanMan - a modular tangible controller for sound spatialization (5 minutes, remote) by Krzysztof Cybulski; Szczepan Busko; Zachariasz Zalewski (200) Sonicolour: Exploring Colour Control of Sound Synthesis with Interactive Machine Learning (5 minutes, remote) by Tug F. O'Flaherty; Luigi Marino; Charalampos Saitis; Anna Xambó Sedó (202) A Spherical Tape Topology for Non-linear Audio Looping (5 minutes, remote) by Kevin Blackistone Papers 6: Accessibility Papers Session (Video Link) Date: Thursday 2025-06-26 14:30-15:30 AESTLocation: Kambri CinemaChair: Alon Ilsar (37) Chimera: Prototyping a New DMI for Congenital One-Handed Musicianship Through an Autoethnographic Lens (15 minutes) by Mat Dalgleish (88) The Slide-A-Phone: a Tactile Accessible Musical Instrument (10 minutes) by Andrew McMillan; Fabio Morreale (253) The Sound Tree Project: Developing Personal and Collective Expression with Accessible Digital Musical Instruments (10 minutes) by Steph OHara; Alon Ilsar Papers 7: Entangled NIME Papers Session (Video Link) Date: Thursday 2025-06-26 16:00-17:00 AESTLocation: Kambri CinemaChair: Teresa Pelinski (21) Entangling with Light and Shadow: layers of interaction with the pattern organ (15 minutes) by Jasmine Butt; Benedict Gaster; Nathan Renney; Maisie Palmer (75) (De)Constructing Timbre at NIME: Reflecting on Technology and Aesthetic Entanglements in Instrument Design (15 minutes) by Charalampos Saitis; Courtney N. Reed; Ashley Laurent Noel-Hirst; Giacomo Lepri; Andrew McPherson (295) Negotiating Entanglements in the Composition and Curation of an Ultrasonic Art Installation (15 minutes) by Nicole Robson; Andrew McPherson; Nick Bryan-Kinns Concert 4: Studio Concert Concert Session (Video Link) Date: Thursday 2025-06-26 19:30-20:30 AESTLocation: School of Music Recording StudioChair: Nicole Carroll (274) Adaptive Elusion (11 minutes) by Palle Dahlstedt (275) What We Do (Differently) Together (15 minutes) by Palle Dahlstedt Concert 5 Concert Session (Video Link) Date: Thursday 2025-06-26 21:00-23:00 AESTLocation: Kambri Drama TheatreChair: Sophie Rose (30) MSN/AV (Maximum Silence to Noise/Audio-Visual) (7 minutes) by John Ferguson; Andrew Brown (95) The Walkable Instrument: Modular Patches as Entangled Environments in OpenSoundLab (12 minutes) by Ludwig Zeller; Anselm Bauer (171) EDO Artifacts (6 minutes) by Gregg Oliva (265) transcriptions (20 minutes) by Takuma Kikuchi; Riki Saito; Risako Shibata; Atsuya Tsuchida; Kenshiro Taira; Nimisha Anand; Ryoho Kobayashi; Yuta Uozumi; Shinya Fujii (302) Mulholland Revisited (6 minutes) by Héloïse Garry (310) Echoic Defiance of Gravity (8 minutes) by Ji Won Yoon; Woon Seung Yeo Papers 8: Historical and Cultural Reflections Papers Session (Video Link) Date: Friday 2025-06-27 09:00-10:30 AESTLocation: Kambri CinemaChair: John Ferguson (74) Hacking Sound, Hacking History: Patricia Cadavid and the Electronic_Khipu_ (10 minutes) by Maggie Needham (134) NIME: A Mis-User's Manual (15 minutes) by Sally Jane Norman; Paul Stapleton; John Bowers (137) The Imperfect Copy: Role Playing Reenactments of Historical Electronic Sound Instruments (15 minutes) by Derek Holzer; Henrik Frisk; André Holzapfel (195) The Memory Cloud: Personal media libraries as affordance and constraint (10 minutes) by Yann Seznec (213) O一: An Epistemic DMI for Cross-Cultural Reflection on Time and Music (15 minutes) by Hanyu Qu; Francesco Dal Rí; Hao Zou; Hanqing Zhou; Raul Masu Papers 9: Extended Reality Papers Session (Video Link) Date: Friday 2025-06-27 11:00-12:30 AESTLocation: Kambri CinemaChair: Kunwoo Kim & Yichen Wang (58) Collaborative Musical Expression Through Interactive VR Scores (15 minutes) by David Kim-Boyle (59) SVOrk: Stanford Virtual Reality Orchestra (15 minutes) by Kunwoo Kim; Andrew Zhu; Eito Murakami; Marise van Zyl; Yikai Li; Max Jardetzky; Ge Wang (232) AR Matchmaking: The Compatibility of Musical Instruments with an AR Interface (15 minutes) by Hyunkyung Shin; Henrik von Coler (266) Physical Music Albums in the Digital Era: Exploring Experiential Value Through the Integration of AR (10 minutes) by Ena Fumihira; Andrew Johnston (277) Exploring the impact of spatial awareness on large-scale AR DMIs (10 minutes) by Qiance Zhou; Charles Patrick Martin Posters 3 Posters Session (Video Link) Date: Friday 2025-06-27 13:30-14:30 AESTLocation: Kambri FoyerChair: Yichen Wang (184) Metabow: Gesture Mapping in Immersive Sonic Environments (5 minutes, in person) by Davor Vincze; Roberto Alonso; Peter Nelson (187) Designing Sensory NIME for Autism (10 minutes) by Aditya Arora; Erica Tandori; James Marshall; Stuart Favilla (208) Exploiting Latency In The Design Of A Networked Music Performance System For Percussive Collective Improvisation (5 minutes, remote) by Ari Liloia; Roger Dannenberg (214) Hybrid Hand Drum: Where Tradition Resonates Through Technology (5 minutes, in person) by Casper Preisler; Daniel Overholt (215) Embedded Comparo: Small DSP Systems Side-by-Side (5 minutes, in person) by Francesco Di Maggio; Bart Hengeveld; Atau Tanaka (226) Two Sonification Methods for the MindCube (5 minutes, remote) by Fangzheng Liu; Lancelot Blanchard; Don D Haddad; Joseph Paradiso (228) Acoustic-digital hybrid synthesizer (5 minutes, in person) by Levin Schnabel; Dan Overholt (234) The Drum Machine of Tao (5 minutes, in person) by Xiaowan Yi; Mathieu Barthet (246) Tapping Into a New Paradigm: A Synthetic Strategy for Automatic Drum TapScription (5 minutes, remote) by André Santos; Amílcar Cardoso; Matthew E. P. Davies; Roger B. Dannenberg (250) Towards a Repository Template for Music Technology Research (5 minutes, remote) by Alessandro Fiordelmondo; Matteo Spanio; Patricia Cadavid; Xinran Chen; Sergio Canazza; Raul Masu (254) Designing A Tangible Rhythmic Interface for Digital Drum Talk (5 minutes, remote) by Pierre-Valery Tchetgen (263) AI Harmonizer: Expanding Vocal Expression with a Generative Neurosymbolic Music AI System (5 minutes, remote) by Lancelot Blanchard; Cameron Holt; Joseph Paradiso (276) Luna: An AR Musical Instrument on the Meta Quest 2 (5 minutes, in person) by Samuel Dietz; Charles Patrick Martin (278) A Gesture-Based Approach to Spatialization in Dolby Atmos (5 minutes, remote) by Vitor Pinheiro (280) ChuMP: The Zen and Art of Package Management (5 minutes, in person) by Nicholas Shaheed; Ge Wang (282) Synthesizing Music with Logic Gate Networks (5 minutes, remote) by Ian Clester (284) SMucK: Symbolic Music in ChucK (5 minutes, in person) by Alexander Han; Kiran Bhat; Ge Wang (291) Melia: An Expressive Harmonizer at the Limits of AI (5 minutes, remote) by Matthew Caren; Joshua Bennett (300) GraviTone: A Tangible Musical Interface using Gravity Well for Sound and Music Creation (5 minutes, in person) by Kratika Jain; Allwin Williams; Akhilesh Kumar Bhagat; Sukanth K; Arunav Rajesh; Prashant Pal; Krishanan Chandran; Rajashekhar V S; Anandu Ramesh; Gowdham Prabhakar Concert 6 Concert Session (Video Link) Date: Friday 2025-06-27 19:00-20:30 AESTLocation: Big Band RoomChair: Nicole Carroll (126) Kamer/Ton – a system for analog audio-video feedback (9 minutes) by Krzysztof Cybulski (201) Diffy (11 minutes) by Jordan Shier; Xiaowan Yi (227) Xylocyclos (20 minutes) by Alyssa Wixson; Oliver George-Brown (243) Screenless Optical Theremin with Tremolo (ScOTT) (10 minutes) by Michael Gancz; Justin Berry; Shu Wei; Jake Shaker; Kimberly Hieftje; Asher Marks (293) Improvising with "GravField": A Participatory Performance Exploring How Digital Objects Mediate Intercorporeal Movements within Collocated Mixed Reality (15 minutes) by Botao Hu; Yuemin Huang; Mingze Chai; Xiaobo Hu; Yilan Tao; Rem RunGu Lin Concert 7 Synth & Signal: Club Concert and After Party Concert Session (Video Link) Date: Friday 2025-06-27 21:00-23:59 AESTLocation: Shadows NightclubChair: Sophie Rose (211) O一 (6 minutes) by Hanyu Qu; Francesco Dal Rí; Hao Zou (262) Tentacle Orbits (8 minutes) by Tara pattenden (288) Tesseract (30 minutes) by Vijay Thillaimuthu

This repository contains video of all sessions from NIME2025 that were streamed during the conference. This includes paper sessions, remote poster videos, concerts, keynotes and town hall plenary. NIME2025 took place at The Australian National University, Ngunnawal Country, Canberra, Australia and Online, June 24–27, 2025. New Interfaces for Musical Expression (NIME), is an international conference about new musical interfaces, their artistic use and the technologies involved in building them. Researchers from all over the world share their knowledge and late breaking work during the conference. The conference started as a workshop at the CHI conference in 2001 and, since then, has been held annually around the world. The theme of NIME2025 is entangled NIME. This theme recognises the multilayered contexts of activity and impact involved in music making with new technology. In an era where music creation and performance are increasingly intertwined with social, cultural, and environmental factors, entanglement emphasises how musical interfaces are not simply tools but active agents in the complex web of human and technological relationships. From personal expression to collective experiences, from creative spontaneity to long-term artistic evolution, entangled NIME seeks to explore how new musical interfaces shape, and are shaped by, the environments, communities, and individuals they engage. Through this lens, we invite researchers, artists, and technologists to reflect on how musical interfaces not only respond to immediate user input but also evolve with the musician over time, adapt to diverse cultural practices, and dynamically interact with the broader societal and ecological landscapes. Whether it’s the integration of AI as a co-creator, the ethical considerations of sustainable design, or the incorporation of gestures and environmental factors into performance, the entangled NIME theme calls for deeper examination of the reciprocal and non-linear interactions that emerge between musicians, technologies, and the worlds they inhabit. Videos are included here as part of long term archiving of activities from the NIME community. Copyright on presentations and performances are retained by the authors of those contributions.