Abstract This paper reads Anita Desai’s Fire on the Mountain (1977) through an eco-feminist lens to argue that the novel represents nature not only as backdrop but as an instructive, morally charged presence that critiques patriarchal domination and offers alternative registers of knowledge and agency for women. By tracing imagery, narrative point-of-view, and the symbolic roles of landscape, flora, fauna, and seasonal cycles, the study shows how nature functions as a “teacher” that both reveals and refracts the novel’s interlocking structures of gendered oppression. The analysis situates Desai’s text within eco-feminist theory — particularly the critical interventions of Carolyn Merchant, Vandana Shiva, and Val Plumwood — to show how the novel stages a feminist challenge to dualisms (culture/nature, male/female) and suggests ethically reparative relations between women and the natural world.