“The Walking Man” as a meditation on transience, paradox, and the phenomenology of revelation. Through the mysterious figure of the Walking Man—part traveller, part prophet, part embodiment of time itself—the poem explores how presence and absence, speech and silence, memory and forgetting coexist in the human apprehension of meaning. The reading argues that Sayles employs a deceptively simple diction and rhythmic symmetry to encode complex theological and existential motifs: the ambivalence of encounter, the longing for permanence, and the silent eloquence of transcendence. Ultimately, “The Walking Man” situates human experience at the intersection of time and eternity, suggesting that true revelation often arrives through silence rather than speech.