Jane Austen’s Pride and Prejudice (1813) remain celebrated for its sharp social commentary, memorable characters, and insightful portrayal of love, class, and gender relations in Regency England. This study offers a comparative examination of Austen’s original text alongside selected modern retellings across literature, cinema, and digital media to explore how her narrative continues to engage contemporary audiences. It focuses on the interaction between Austen’s enduring story structure and the shifting cultural and social settings that inform later adaptations. By analyzing how writers and filmmakers reinterpret her treatment of class distinctions, gender expectations, and individual freedom, the research highlights both continuity and transformation within the Austen tradition. Attention is given to the reshaping of characters, the evolution of themes, and the translation of tone and irony across mediums. The study also considers how feminist interpretations, romantic ideals, and social critiques intertwine within recent retellings. Using close textual reading, comparative media analysis, and audience reception perspectives, the findings suggest that contemporary adaptations uphold Austen’s moral and social insights while redefining them through modern ideas of identity and autonomy. Ultimately, Pride and Prejudice endure as a dynamic cultural text, continually reinterpreted to reflect new forms of human experience and social change