Author: Dronova, Nona D.Doctor of Technical Sciences, ProfessorHigher School of Folk Arts (St. Petersburg)📧 dronovanona@mail.ru Abstract: This article presents a comprehensive diagnostic study of a small tripod vessel attributed to the Ge yao tradition, dated to the late Southern Song – early Yuan period (13th century). The analysis combines macro and microscopic examination of the glaze, crackle structure, and firing marks. Six high-resolution images are annotated to illustrate key features: double crackle pattern, oxide migration, glaze texture, and support scars from high-temperature firing. The study confirms the vessel’s authenticity through physical diagnostics aligned with known characteristics of Ge yao ceramics in the Palace Museum (Beijing), British Museum, and Tokyo National Museum.Reference: N.D. Dronova, "Что надо знать о старинном китайском фарфоре", p. 12, Moscow, 2016. Keywords: Ge yao, Southern Song ceramics, Yuan dynasty porcelain, crackle glaze, shuang xian kaipian, firing support marks, oxidation fissures, glaze microscopy, Chinese official kilns, ceramic authentication, Nona Dronova 🔬 Diagnostic Record Object: Tripod vessel with Ge yao crackle glaze哥窑三足盂器 / Ge-type tripod vessel Dating: Southern Song – Early Yuan dynasty (c. 1200–1279) Dimensions: Diameter: approx. 12.5 cm Height: approx. 5 cm Material & Glaze Composition: White porcelain or fine stoneware body Glaze: high-silica matrix (SiO₂, Al₂O₃ ~75%) Fluxes: K₂O, Na₂O, CaO, MgO Traces of Fe₂O₃ (iron oxide), contributing to oxidation tone in fissures Thick glaze layer with full coverage, fired on rod supports 🖼️ Annotated Figures Figure 1. Detail of the crackle glaze (Ge yao style) on the tripod vessel foot. The image shows a characteristic double crackle pattern (shuangxian kaipian 双线开片), with distinct fine black fissures and broader reddish lines formed by natural oxidation of iron compounds in the glaze fractures. The leg is fully glazed, confirming use of pin or rod supports during firing. The glaze surface reveals fine grain structure and a matte texture consistent with high-temperature kiln exposure and natural patination. Figure 2. Base view of the tripod vessel in Ge yao style, showing complete coverage with crackle glaze and three evenly spaced legs. Notable are three firing support marks (small unglazed spots or protrusions) located between the legs — a typical feature of Song–Yuan kiln technology. These support points indicate that the piece was fired on pin or rod props to allow for full glaze coverage across the base. The glaze exhibits a complex double crackle network, with reddish and dark grey fissures characteristic of natural oxidation and thermal stress. The overall symmetry and consistent patination support the vessel's authenticity. Figure 3. Microscopic close-up of the Ge yao glaze surface, showing the internal structure of the double crackle network. The image reveals a grainy, sugar-like texture characteristic of high-temperature reduction firing and prolonged kiln soaking. The darker crackle lines show natural oxidation (iron and manganese migration), while the glaze body contains embedded microbubbles and crystal inclusions. This granular matrix and oxidized fissure edges support the identification of the vessel as a high-quality Ge-type ware with genuine aging features. Figure 4. Microscopic view of a firing support mark on the base of the tripod vessel. The central residue appears as a burnt ceramic or mineral particle, fused into the glaze during high-temperature firing. Surrounding the inclusion is a concentric oxidized halo, with reddish-brown discoloration caused by iron-rich ash or kiln debris. This feature strongly supports historical firing methods consistent with Southern Song–Yuan Ge yao practices, where vessels were suspended on small pins or setters, often leaving such partially embedded marks and heat-altered traces. Figure 5. High-magnification image of a deep firing support scar on the base of the vessel. The dark central depression shows kiln residue or ash-fused mineral matter embedded in the glaze. The surrounding zone is marked by thermal discoloration and contraction lines, with visible darkening due to iron oxide accumulation at the crack edges. This kind of mark is typical for authentic Ge-type wares from the Southern Song–Yuan period, where setter pins or tripod stanchions left behind burnt-in traces during full-glaze high-temperature firing. Figure 6. Microscopic image of the glaze surface showing a well-defined network of oxidized crackle lines in a triangular junction. The reddish hue of the fissures is a result of iron oxide migration along glaze stress fractures over time. The glaze body exhibits a semi-matte, finely textured surface, typical for high-fired Ge yao wares. A small light-reflecting inclusion is visible at the center, likely a natural bubble burst or feldspathic impurity. This microstructure supports the vessel's authenticity and natural aging process consistent with Southern Song–Yuan crackle development. 🏛️ Museum Parallels: Museum Object Catalogue Palace Museum (Beijing) Ge yao Tripod Washer 故-瓷-2756 British Museum Ge-type Small Tripod Dish Franks.205 Tokyo National Museum Ge yao Shallow Bowl TNM-Cer-1933 Scientific Reference: Dronova, N.D. (2016). Что надо знать о старинном китайском фарфоре [What You Need to Know About Antique Chinese Porcelain]. Moscow: p. 12. ISBN 978-5-9908782-6-6.

his study presents a detailed diagnostic examination of a small tripod vessel with classic Ge yao-style double crackle glaze, dated to the late Southern Song – early Yuan period (13th century). Through macroscopic and microscopic analysis, including firing support marks and oxidation patterns, the vessel is confirmed as a high-quality example of official-style Chinese ceramics. The article includes annotated images and comparative references to museum specimens.Based on the publication by Prof. Nona Dronova (p. 12, Moscow, 2016).