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ZENODO
Article . 2025
License: CC BY ND
Data sources: Datacite
ZENODO
Article . 2025
License: CC BY ND
Data sources: Datacite
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An Actor-Organic Presence on stage: The Exploration based on Stanislavsky's Practical Studies

Authors: Government of Kerala;

An Actor-Organic Presence on stage: The Exploration based on Stanislavsky's Practical Studies

Abstract

An Actor-Organic Presence on stage: The Exploration based on Stanislavsky’s Practical Studies Dr. Sreelatha. E This study tries to combine the different dramatic concepts of author, focusing especially on the unique and creative style of Constantine Stanislavsky. His dramatic works gave importance to actors on stage rather than the form of the dramatic text. He had introduced new practical methods to be followed by the actors in different situations. The style of Stanislavsky had influenced many dramatists that brought in so many changes in the dramatic field. A lot of changes can be found in forms, emotions, settings and concepts.The rules introduced by Stanislavsky proved helpful for other dramatists to construct their actors in plays.The expressions of the actor are done through sound based script, symbols, body language and so on.We can find reflections of these dramatic techniques in Theatre of Root, where the intimate interaction between the actor and audience during performance is discussed.Finally this study on the dramatic art of Stanislavsky is great relevance as more prominence is given to stage performances than the dramatic literature. Keywords: Constantin Stanislavsky, Method of Physical Action, Super Objectives, Magic if, Scenic Truth. Reference:Abraham, T. M. (2016, June–July). Thanathusampathinte apurvathalam. Keli. Kerala Sangeetha Nataka Academy.David, A. (2003). Stanislavsky for beginners. Orient Longman Pvt. Ltd.Krishnan Nair, P. V. (2017, April–May). Lokam natakavediyilude... Keli. Kerala Sangeetha Nataka Academy.Narayanapilla, K. S. (1997). Shyleekrithabhinayam-naveena paddhathi. Rangavatharanam (496-536). Kerala Bhasha Institute. Sankarapilla, G. (2005). Natakadarsanam. In Malayala Nataka Sahithya Charitram. Kerala Sahithya Academy.Stanislavsky, C. (1961). Creating a role (E. Reynolds Hapgood, Trans.). Theatre Arts Book.Stanislavsky, C. (1989). An actor prepares (E. Reynolds Hapgood, Trans.). Eyre Methuen Publishing Ltd.Stanislavsky, C. (2007). Building a character (E. Reynolds Hapgood, Trans.). Eyre Methuen Ltd. 

Keywords

Method of Physical Action, Scenic Truth, Magic if, (4-(m-Chlorophenylcarbamoyloxy)-2-butynyl)trimethylammonium Chloride/antagonists & inhibitors, (4-(m-Chlorophenylcarbamoyloxy)-2-butynyl)trimethylammonium Chloride/antagonists & inhibitors, Constantin Stanislavsky, Super Objectives

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
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