Downloads provided by UsageCounts
{"references": ["Corazzon, Raul (2006), Theory and History of Ontology. Disponible en: www.formaontology.it y en www.ontology.co", "Ferraris, Maurizio (2003), \u00abBreve storia dell\u2019ontologia\u00bb. Aut aut, n\u00ba 313-314: pp. 115-149.", "Ferraris, Maurizio (2004), \u00abOntologia dell\u00b4 arte come metafisica dell\u00b4 ordinario\u00bb. Itinera-Rivista di filosofia e di teoria delle arti e della letteratura, n.s.: pp. 1-5.", "Gracia, Jorge E. (ed.) (1998), Concepciones de la Metaf\u00edsica. Enciclopedia IberoAmericana de Filosof\u00eda Vol. 17. Madrid: Trotta.", "Guizzardi, Giancarlo (2005), Ontological foundations for structural conceptual models. The Netherlands: CTIT \u2013 University of Twente, PhD Thesis.", "Heidegger, Martin (1984), Der Ursprung des Kunstwerkes. Frankfurt: Vittorio Klosterman.", "Heidegger, Martin (2004), Ser y Tiempo. Madrid: Trotta", "Masolo, Claudio; Oltramari, Alessandro; Gangemi, Aldo; Guarino, Nicola & Vieu, Laure (2003): \u00abLa Prospettiva dell\u2019Ontologia Applicata\u00bb. Rivista di estetica, n\u00ba 22, anno XLIII: pp.170\u2013183.", "Menzel, Christopher (2003), \u00abOntology Theory\u00bb, en J. Euzenat, A. Gomez-Perez, N. Guarino & H. Stuckenschmidt (eds.), Ontologies and Semantic Interoperability, CEUR Workshop Proceedings, vol. 64.", "Mulligan, Kevin (2000) \u00abM\u00e9taphysique et Ontologie\u00bb, en P. Engel (dir.), Pr\u00e9cis de Philosophie analytique, Collection Th\u00e9mis, Paris: Presses Universitaires de France, pp. 5-33. Traducci\u00f3n Italiana: (2002), \u00abMetafisica e ontolog\u00eda\u00bb, Aut Aut, n\u00ba 310-311: pp. 116-143.", "\u00d8hrstr\u00f8m, Peter; Andersen, Jan & Sch\u00e4rfe, Henrik (2005), \u00abWhat Has Happened to Ontology\u00bb, en F. Dau; M.L Mugnier & G. Stumme (eds.), Conceptual Structures: Common Semantics for Sharing Knowledge. LNCS vol. 3596. Berlin-Heidelberg: Springer Verlag, pp 425-438.", "Smith, Barry (2003), \u00abOntology\u00bb, en L. Floridi (eds.), Blackwell Guide to the Philosophy of Computing and Information, New York: Oxford UP, pp. 155\u2013166.", "Smith, Barry (2004), \u00abBeyond Concepts: Ontology as Reality Representation\u00bb, en A. Varzi and L. Vieu (eds.), Proceedings of FOIS 2004. International Conference on Formal Ontology and Information Systems, Turin: IOS Press. Pp.73-84.", "Smith, Barry (2004), \u00abOntology and Information Systems\u00bb, Manuscrito in\u00e9dito.", "Smith, Barry; Kusnierczyk, Waclaw; Schober, Daniel & Ceusters Werner (2006), \u00abTowards a Reference Terminology for Ontology Research and Development in the Biomedical Domain\u00bb, en Proceedings of KR-MED. pp. 57-66.", "Sowa, John F. (2000), Knowledge Representation: Logical, Philosophical, and Computational Foundations. Pacific Grove, CA: Brooks Cole Publishing Co.", "Thomasson, Amie L. (2004), \u00abThe Ontology of Art\u00bb, en P. Kivy (eds), The Blackwell Guide to Aesthetics, New York: Oxford UP., pp. 78-92.", "Thomasson, Amie L. (2005), \u00abThe Ontology of Art and Knowledge in Aesthetics\u00bb. Journal of Aesthetics and Criticism of Art 63-1: pp. 221-229.", "Varzi, Achille (2002), \u00abOntologia e metaf\u00edsica\u00bb, en F. D\u2019Agostini & N. Vassallo (eds.), Storia della Filosofia Analitica, Torino: Einaudi, pp. 81\u2013117, 521\u2013526.", "Varzi, Achille (2005), Ontologia. Bari: SWIF Readings/Contemporanea. Disponible en: http://www.swif.uniba.it/lei/pdf/biblioteca/readings/ontologia_SWIF.pdf."]}
El presenta trabajo describe y caracteriza de manera breve y concisa lo que podría ser una ontología del arte. En la primera sección se presentan las dificultades actuales, así como las nociones y preguntas principales de la ontología. En la sección segunda, se bosquejan las definiciones y caracterizaciones actuales de la ontología, se hace especial hincapié, en la ontología aplicada. En la tercera, cuarta y quinta sección se caracteriza y configura lo que podría ser una ontología del arte, se evidencian sus limitaciones así́ como sus perspectivas y trazabilidad para hacer viable dicha ontología; adicionalmente se abordan los aportes del realismo anglosajón a la cuestión. El propósito de esta caracterización es hacer evidente que es plausible dar un tratamiento integral al problema de la realidad y su configuración y desarrollo en los mundos regionales, como, el mundo del arte.
[SHS.PHIL] Humanities and Social Sciences/Philosophy, Realismo, Mente, Estética, Lenguaje, Mundo, Factum
[SHS.PHIL] Humanities and Social Sciences/Philosophy, Realismo, Mente, Estética, Lenguaje, Mundo, Factum
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
| views | 12 | |
| downloads | 7 |

Views provided by UsageCounts
Downloads provided by UsageCounts