This philosophical essay explores the symbolic convergence between the film Interstellar and the XChronos project, which proposes a Copernican and idealist reinterpretation of time as lived experience. By applying the original concepts of Cronons, Hexachronons, and Metachronos, the article reveals how Interstellar functions as a cinematic metaphor for subjective temporality, cosmic awareness, and reflective consciousness. Through detailed analysis of key scenes and philosophical parallels, the text contributes to the fields of philosophy of time, cinema studies, and symbolic ontology, while advancing the educational mission of XChronos to reframe time as consciousness in motion.