Early Music Performance & Research – 52 (Autumn 2023)
Early Music Performance & Research – 52 (Autumn 2023)
Early Music Performance & Research - 52 (Autumn 2023) Editorial Samuel Teague Articles Il faut que l'air soit accommodé aux paroles: Monsieur Lully gives a lesson in composition – John S. Powell What Handel Learned in Hamburg: The Composers of the Hamburg Opera and the Development of the Oboe as an Obbligato Instrument, 1691–1705 – Blake Johnson Blurred Boundaries: Performance through Transcription in Edwin Fischer’s Bach Recordings – Pierre Riley Review Benjamin Cosyn, Complete Keyboard Music, ed. Orhan Memed, Musica Britannica CVII – David J. Smith Reports Medieval and Renaissance Music Conference 2023 – Joseph Mason 20th Biennial International Conference on Baroque Music – Caro Lesemann-Elliott & Addi Liu
Baroque, Performance Practice, Musicology, Medieval Music, Early Music, Baroque Music, Historically Informed Performance, Classical Music, Music, Medieval, Historical Performance, Classical
Baroque, Performance Practice, Musicology, Medieval Music, Early Music, Baroque Music, Historically Informed Performance, Classical Music, Music, Medieval, Historical Performance, Classical
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