Abstract The lived experiences of guitar craftsmen in the Philippines are often overlooked. Thus, this study described the lived experiences of guitar craftsmen, focusing on economic, personal, and social aspects. Using Edmund Husserl's Descriptive-Phenomenological qualitative research design, six guitar craftsmen with at least five years experience participated. In-depth interviews were conducted to collect data, which was then analyzed using Colaizzi's descriptive phenomenological approach. The result revealed three major themes: Economical, Personal, and Social. Personally, they find fulfillment despite the physical limitations of the artwork, and socially, their tasks include handing down skills to future generations, preserving cultural heritage, and establishing social connections. However, they encounter challenges in adjusting to market changes, modern techniques, and declining local interest.Furthermore, it is evident that the guitar craftsmen experience challenges and yet continue to strive as this serves as their source of income and a family tradition that is frequently passed down through generations. As a result, the study recommends that guitar craftsmanship be promoted through local tourist initiatives and social media campaigns. Traditional craftsmanship should be emphasized in educational programs that teach arts and technical skills. Collaborations with cultural groups can raise awareness of the craft's economic and cultural importance, ensuring its continuation. Furthermore, seminars and exhibitions should be held to engage the public and highlight the accomplishments of these artisans. Future research should look at the sustainability approaches used by craftspeople and how they respond to changing market needs. Keywords: Lived Experiences, Phenomenological Study, Guitar Artisans, Craft.