Powered by OpenAIRE graph
Found an issue? Give us feedback
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
ZENODO
Other literature type . 2023
License: CC BY
Data sources: ZENODO
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
ZENODO
Research . 2023
License: CC BY
Data sources: Datacite
ZENODO
Research . 2023
License: CC BY
Data sources: Datacite
image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
versions View all 5 versions
addClaim

LA COMUNICACIÓN EXPERIENCIAL DE LAS MARCAS A TRAVÉS DE LOS EVENTOS CORPORATIVOS

Authors: Campillo-Alhama, Concepción;

LA COMUNICACIÓN EXPERIENCIAL DE LAS MARCAS A TRAVÉS DE LOS EVENTOS CORPORATIVOS

Abstract

El marketing experiencial (sensorial o emocional) es un marketing focalizado hacia las emociones de los consumidores a través de sus experiencias de compra, contratación, uso y consumo. Las organizaciones empresariales tratan de crear experiencias que sean recordadas de forma positiva y memorable. Por ello, es necesario conocer el significado que posee cada marca: el conjunto de características o atributos que forman parte de su identidad y configuran su posicionamiento en el mercado. Y además, cuáles son las expectativas y las motivaciones que poseen los consumidores a los que vamos a orientar la estrategia de marketing experiencial. A través de las estrategias sensoriales o emocionales, las marcas corporativas pueden diferenciarse del resto y proporcionar al consumidor un verdadero valor añadido que sea significativo y relevante. El objetivo de cualquier estrategia de marketing experiencial es identificar qué tipo de experiencias incrementan el valor de los productos, los servicios o bienes materiales. Y por ello, hay que tener en cuenta una serie de principios fundamentales si perseguimos la eficacia en este tipo de estrategias: en primer lugar, debemos aportar valores sensoriales interesantes que acompañen a los factores funcionales de los productos, porque se ha constatado que los consumidores reaccionan tanto a impulsos racionales como emocionales. Y en este sentido, resulta imprescindible presentar a estos productos, bienes o servicios no como realidades independientes sino como realidades integradas o complejas; es decir, que presenten muchas vertientes interrelacionadas entre sí. En segundo lugar, en las estrategias de marketing experiencial se asume que las marcas ya no pertenecen a las empresas sino a las personas, y se presentan ante ellas revestidas de valores tales como: la calidez, la solidaridad, la empatía o la inteligencia emocional, entre otros.

Country
Spain
Related Organizations
Keywords

Comunicación experiencial, Engagement, Consumidor, Eventos, Marketing relacional, Comunicación integrada

  • BIP!
    Impact byBIP!
    selected citations
    These citations are derived from selected sources.
    This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
    0
    popularity
    This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
    Average
    influence
    This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
    Average
    impulse
    This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
    Average
Powered by OpenAIRE graph
Found an issue? Give us feedback
selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
Green