This article examines the evolution of representations of people with dwarfism in cinema, from negative stereotypes and comedic portrayals to more respectful and complex depictions. Initially, films from the early 20th century dehumanized these individuals, casting them in comedic and bizarrely fantastical roles. The analysis focuses on films such as Freaks (1932), which, despite attempting to humanize its characters, reinforced stereotypes of monstrosity. The study aims to understand how these representations influence public perception and policies related to the rights of people with dwarfism. Using a critical analysis methodology of films and TV shows, the article employs theories from authors like Judith Butler and Richard Dyer to examine narrative evolution. The results reveal significant progress, with recent productions like The Station Agent (2003) and Game of Thrones (2011-2019) presenting characters with dwarfism in a more authentic and dignified manner. It concludes that, although stereotypes still exist, cinema has advanced in promoting greater inclusion and understanding, reflecting a broader movement towards diversity.