
Abstract: Scyld Scefing is often praised as a god cyning “good king” (11), who establishes a heroic encomium in the prologue of Beowulf. However, on closer investigation, we will argue that the brave deeds of Scyld do not appear very different from Grendel’s fyrendæda “crime-deeds” (1001). We will contend that this parallelism has profound ethical implications for both the famous Scyld and the infamous Grendel, and the juxtaposition of the Scyld-episode and Grendel-episode serves to highlight their lexical and thematic similarities. In this article, we will challenge conventional readings of Scyld as an appropriative model of heroism in the poem. We will suggest that while Grendel represents a terror to Denmark, Scyld equally represents a terror from Denmark. In the violent world of Beowulf, heroes and monsters reign supreme, and both pillage, plunder and terrorize their neighbors.
irony, enigma, monstrosity, Grendel, Scyld Scefing, heroism
irony, enigma, monstrosity, Grendel, Scyld Scefing, heroism
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