Representaciones teatrales en la villa de Curiel (1624)
Representaciones teatrales en la villa de Curiel (1624)
En 1624, los alcaides de la cofradía de Nuestra Señora del Rosario de la villa de Curiel (Valladolid) contrataron en Valladolid a dos músicos para que cantaran, acompáñandose de sus guitarras, tonos humanos y divinos en las representaciones teatrales que se iban a efectuar en la fiesta que celebrarían el 18 de agosto. In 1624, the governors of the brotherhood of Nuestra Señora del Rosario of the town of Curiel (Valladolid) hired two musicians in Valladolid to sing, accompanied by their guitars, "tonos humanos y divinos" (secular and sacred songs) in the theatrical representations that were to be made in the feast to be held on August 18.
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representación teatral, autos sacramentales, tono humano, Simón de Pereña (músico, guitarrista), Marian confraternities, theatre performance, rosary confraternities, Simón de Pereña (musician, guitar player), cofradías con advocación mariana, tono divino (sacred song), tono divino, comedia (secular play), eucharistic play, confraternities project, guitarrista, confraternity of Our Lady of the Rosary, tono humano (secular song), Antonio de Fonseca (musician, guitar player), Antonio de Fonseca (músico, guitarrista), guitar player, comedia, proyecto cofradías, cofradía de Nuestra Señora del Rosario, cofradías del rosario
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