The article is devoted to the restoration of two carved gilded frames to the temple icons of the 1760s in the Rococo style, during the work on which the techniques of conservation, restoration, reconstruction and recreation associated with the severe physical condition of the objects of church decorative and applied art received in the restoration were comprehensively applied. The study purpose was to return the expositional appearance of church objects of decorative applied art as monuments of the cultural heritage of our country. Thanks to the well-coordinated and consistent conservation and restoration processes carried out on the monuments, professional craftsmen managed to turn the shapeless, heavily polluted fragments of two frames to the temple icons back into frames. After a comprehensive restoration of two frames, it was possible to return them to their former expositional and aesthetic appearance, prolong their life and preserve these monuments of church art for contemporaries and descendants, and then place them in the temple in their former historical places, i.e., to fulfil the main task of professional restorers to preserve the cultural heritage of Russia.