This article explores the aesthetic parallels between Futurist art and AI-generated imagery. It begins with Jean Francois Lyotards The Bias of the Figural and examines the 1968 MoMA exhibition The Machine as Seen at the End of the Mechanical Age.The study highlights how both Futurism and generative art challenge traditional concepts of aesthetics,authorship,and experience. Futurism celebrated technological innovation and societal transformation, while AI generative art redefines these concepts through human-machine collaboration. The article discusses the implications of AI in art, emphasizing the post-human aesthetic that integrates processes,interactions,and unpredictability.