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The TidalCycles (or Tidal for short) live coding environment has been developed since around 2009, via several rewrites of its core representation. Rather than having fixed goals, this development has been guided by use, motivated by the open aim to make music. This development process can be seen as a long-form improvisation, with insights into the nature of Tidal gained through the process of writing it, feeding back to guide the next steps of development.This brings the worrying thought that key insights will have been missed along this development journey, that would otherwise have lead to very different software. Indeed participants at beginners’ workshops that I have lead or co-lead have often asked questions without good answers, because they made deficiencies or missing features in the software clear. It is well known that a beginner’s mind is able to see much that an expert has become blind to. Running workshops are an excellent way to find new development ideas, but the present paper explores a different technique – the rewrite.
FOS: Computer and information sciences, live coding, Computer Science - Programming Languages, Computer Sciences, Other Computer Science (cs.OH), Software Engineering, algorithmic pattern, haskell, Digital Humanities, python, Programming Languages and Compilers, tidalcycles, Computer Science - Other Computer Science, Physical Sciences and Mathematics, Arts and Humanities, Music, Programming Languages (cs.PL)
FOS: Computer and information sciences, live coding, Computer Science - Programming Languages, Computer Sciences, Other Computer Science (cs.OH), Software Engineering, algorithmic pattern, haskell, Digital Humanities, python, Programming Languages and Compilers, tidalcycles, Computer Science - Other Computer Science, Physical Sciences and Mathematics, Arts and Humanities, Music, Programming Languages (cs.PL)
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