El conformista de Bernardo Bertolucci: Alberto Moravia + Plató contra el feixisme

[eng] Why Bernardo Bertolucci, when adapting as a film Alberto Moravia’s novel Il conformista, introduced into its homonymous The Conformist the Platonic image of the cave? The article is to give an answer to this question by analysing Moravia’s work in search of “cave images”, which would justify Bertolucci’s decision.

[cat] Per què Bernardo Bertolucci, en fer l’adaptació cinematogràfica de la novel·la d’Alberto Moravia Il conformista, introduí a The Conformist la imatge platònica de la caverna? Hom pretén donar resposta a aquesta pregunta mitjançant l’anàlisi de bona part de l’obra de Moravia.

Podeu consultar la versió en castellà a: http://hdl.handle.net/2445/17984 ; i en anglès a: http://hdl.handle.net/2445/18982

Country

Spain

Related Organizations

University of Barcelona
Spain

Keywords

Fascism, Mite de la caverna (Al·legoria), Plato's cave (Allegory), Tradició clàssica, Bertolucci, Bernardo, 1941-, Moravia, Alberto, 1907-1990. Conformista, Feixisme, Classical tradition

Impact byBIP!

	selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).	0
	popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.	Average
	influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).	Average
	impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.	Average