Absolute Nothingness - The Kyoto School and Sound Art Practice
Absolute Nothingness - The Kyoto School and Sound Art Practice
This paper explores how the concept of Absolute Nothingness as developed in the thought of three key Kyoto School thinkers Nishida Kitarō, Tanabe Hajime and Nishitani Keiji has influenced the practice of sound art. The paper examines the influence of these three philosophers on D.T. Suzuki and John Cage, the Mono-ha movement, and the Fluxus movement before examining how these influences have shaped sound art practice.
- Trinity College Dublin Ireland
School, Nothingness, Digital Engagement, Kyoto School, History, Installation & sound art, Culture, Nishida, Creative Technologies, Creative Arts Practice, Community, Absolute, Sound Art, Digital Humanities, Sound, Nishitani, Kyoto, Tanabe, Art
School, Nothingness, Digital Engagement, Kyoto School, History, Installation & sound art, Culture, Nishida, Creative Technologies, Creative Arts Practice, Community, Absolute, Sound Art, Digital Humanities, Sound, Nishitani, Kyoto, Tanabe, Art
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