On the occasion of writing the introductory text to the monograph that gave an initial assessment of the work of Paolo Di Nardo ARX, published 12 years ago, I had had the opportunity to affirm that his architecture, despite its obvious design versatility, possessed such a freshness that the energy put into play each time for each occasion, seemed to be so much and so new that it made each work appear as a first work as if in fact, his work started all over again each time.