In June and July 1999 the National Film Theatre in London screened over 50 Iranian films, made before and after the 1978-79 Revolution. The proceedings of the accompanying SOAS conference have now been published. Contributors review the development of Iranian cinema before the Revolution, efforts to create an Islamic cinema afterwards, and the growing international success of the 'New Iranian Cinema'. Typical features of this cinema are examined: the blurring of boundaries between documentary and fiction, the focus on children, the constrained portrayal of women, and the way the success of Iranian cinema has provided both a focus and a forum for Iranians to reconsider their national and cultural identity.