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Theatre of the Oppressed as a Martial Art. Theatre, Community, Pedagogy and Politics.

Authors: Alessandro Tolomelli;

Theatre of the Oppressed as a Martial Art. Theatre, Community, Pedagogy and Politics.

Abstract

The Theatre of the Oppressed (TO) and the aesthetic vision of Augusto Boal are deeply connected with the link between theatre and public space. TO is a social and political theatre method forged by the Brazilian author Augusto Boal (1931-2009), but is also the product of a historical contextualization that led Boal and his collaborators to seek aesthetic answers to the limitations of freedom they experienced. Boal’s theatre is thus configured as a space of elaboration and struggle between a contingency – characterized by injustice and conflict – and an attempt at developing meaningful trajectories capable of exploring reality in depth, in the process also revealing what remained hidden and possible paths of transformation.

Country
Italy
Keywords

Theatre of the Oppressed; Pedagogy; Social Theatre; Community

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
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