
handle: 11585/227680
From the point of view of semiotics, meaning resides in the interpretation. The interpreters of museums are the users. How are they and their interpretations changing in the era of mobile communication, globalization, web 2.0, liquid life and other new trends? For example, what is going to happen with the millions of digital pictures people is taking in museums and exhibitions? Why tourists take photos of themselves with such paintings as Monet's Nympheas in the background? I will take a few examples of museum use and try to draw some considerations and propose some directions of research.
CULTURAL HERITAGE; SEMIOTICS; MUSEUM; DESIGN
CULTURAL HERITAGE; SEMIOTICS; MUSEUM; DESIGN
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
