
handle: 11574/217680
Il saggio esamina il fenomeno della post-avanaguardia italiana degli anni settanta, considerandola emblema di un modo di relazionarsi al teatro che privilegia la dimensione performativa. Rappresenta, quindi, un momento di grande importanza nella riqualificazione linguistica del teatro che ha come suo fondamento la scompposizione analitica della forma teatro
post-avant-garde; experimental theatre; performance; performative theatre
post-avant-garde; experimental theatre; performance; performative theatre
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