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Inestabilidad del pie y tobillo en el baile flamenco

Authors: Vargas Macías, Alfonso; Castillo López, José Manuel; Fernández Santos, Jorge del R.;

Inestabilidad del pie y tobillo en el baile flamenco

Abstract

El pie es una de las zonas más susceptibles de lesión en el baile flamenco debido al gesto de zapateado, características del calzado y altura del tacón. El objetivo de este artículo es observar la ejecución de zapateados en situación de inestabilidad del pie y/o tobillo, para determinar diferencias en función del calzado de baile. Han participado en el estudio 10 profesionales de baile flamenco, 5 bailaoras (29,6+4,7 años, 55+3,5 kg, 163,8+7,3 cm) y 5 bailaores (25,2+1,30 años, 61,4+7,2 kg, 171+3,1 cm). Los participantes debían repetir durante 15 s una secuencia de baile de 6 zapateados, que combinaban 4 gestos técnicos. Esta secuencia se repetía con ambos pies el mayor número de veces posible. Se han contabilizado el número zapateados realizados (bailaoras 171,2+7,40; bailaores 180,6+11,8) y el porcentaje de casos ejecutados con inestabilidad (bailaoras 9,2+1,3% y bailaores 26,1+9,1%). A pesar de que el zapato de baile femenino tiene mayor altura de tacón, y está más asociado a lesiones cutáneas, ungeales y estructurales del pie, es más estable que el botín ya que, este último, al tener cierta holgura para ser calzado, proporciona un peor anclaje del pie, y mayores situaciones de desequilibrio durante el zapateado.Baile flamenco, zapato de baile flamenco, tacón, lesión.

The foot is one of the most susceptible areas to get injured in flamenco dancing, due to footwork, characteristics of footwear and heel height. The aim of this article is to analyze the execution of high speed footwork in foot and/or ankle instability for determining differences regarding dance shoes. Ten professional flamenco dancers have taken part in this investigation, 5 female dancers (29,6+4,7 years, 55+3,5 kg, 163,8+7,3 cm) and 5 male dancers (25,2+1,30 years, 61,4+7,2 kg, 171+3,1 cm). The participants had to repeat a dancing sequence consisting of 6 footworks for 15 s. This taping combined 4 different techniques. This sequence was repeated with both feet as many times as possible. The amount of footworks realized have been measured (female 171,2+7,40; male 180,6+11,8) as well as the percentage of cases carried out with ankle instability (female 9,2+1,3%; male 26,1+9,1%). Despite the female dance shoe has a higher heel, which is more associated to skin, toe and structural foot injuries, it is more stable than the flamenco boot. This is due to the necessary boot looseness to be put on/off, which causes a worse foot stability and more imbalance situations during the footwork.

Country
Spain
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Keywords

Bailaor, Desequilibrio, Zapateado, Bailaora, Lesión

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
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