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"Nec mimus, nec histrio": l'ars theatrica nel XII secolo

Authors: silvana Vecchio;

"Nec mimus, nec histrio": l'ars theatrica nel XII secolo

Abstract

The theatrica appears for the first time in the Didascalicon of Hugues of St. Victor, as the last of the seven mechanical arts. His goal is to restore the state of happiness that characterized Adam before sin, through various kinds of recreational activities, mostly related to theatrical performances. But the harsh condemnation of the theater made by the Church Fathers makes it difficult to incorporate this art into the building of Christian wisdom, and it requires eliminating any reference to the protagonists of the scene (mimes, hystrions, jokers) systematically qualified as shameful and dangerous people.

Country
Italy
Related Organizations
Keywords

Theatrica, mechanical arts, Hugues of Saint Victor, hystrion

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
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