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Quinto Sol
Article . 2010
Data sources: DOAJ
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CONICET Digital
Article . 2010
License: CC BY NC SA
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Vender las pampas. El imaginario de la modernización y la fotografía propagandística en el Territorio Nacional de La Pampa

Authors: Laguarda, Paula Ines;

Vender las pampas. El imaginario de la modernización y la fotografía propagandística en el Territorio Nacional de La Pampa

Abstract

En las postrimerías del siglo XIX, el discurso de la modernidad fue utilizado por sectores empresariales en el Territorio Nacional de La Pampa para atraer inversiones y mano de obra destinadas a sus iniciativas de colonización y producción, al aportar un repertorio de imágenes que documentaban los avances económicos y el progreso general del Territorio, pero también al contribuir a la resignificación de un espacio asociado con el "desierto" y la barbarie. A través del análisis de dos álbumes fotográficos producidos en La Pampa a comienzos del siglo XX, en este artículo se aborda el modo en que la fotografía fue utilizada con fines propagandísticos apelando a imaginarios sociales vinculados al progreso y la modernización. Sin embargo, cada álbum se insertó en un contexto social diferente, en el que variaron tanto las condiciones económicas y sociales como el modo en que el proyecto modernizador fue percibido por la sociedad.

By the late 19th century the discourse of modernity was used by business sectors in the National Territory of La Pampa, for attracting investments and labor force oriented to their colonization and production initiatives. Photography played a core role in legitimating modernization project, by providing an arsenal of images that documented the economic developments and the general progress of the Territory, but also by contributing to resignify a space associated to desert" and barbarism. Through the analysis of two photograph albums produced in La Pampa in the early 20th century, this article deals with the way that photography was used for propagandistic purposes appealing to social imaginaries related to progress and modernization. However, each album was produced in a different social context, in which not only economic and social conditions varied, as the way modernization project was perceived by society did.

Fil: Laguarda, Paula Ines. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Confluencia; Argentina. Universidad Nacional de La Pampa. Facultad de Ciencias Humanas. Instituto de Estudios Sociohistóricos; Argentina

Country
Argentina
Keywords

imaginarios sociales, Resignificación del espacio, Economic history and conditions, Social Sciences, Legitimación, HC10-1085, Imaginarios sociales, fotografía, resignificación del espacio, H, Modernización, https://purl.org/becyt/ford/6.1, modernización, https://purl.org/becyt/ford/6, legitimación, Social history and conditions. Social problems. Social reform, Fotografía, HN1-995

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
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