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handle: 10593/11284
The subject of the article is attempts in cinema and comics to reconstruct the image of pre-war Warsaw. The use of archival photographs of the capital, old postcards, and computer reconstructions using 3D technology increase the realism of the presentation, and provide the effect of intuition, intimacy, and directness. A Warsaw non-existent today comes to life again on the screen and in the pages of the comic book.
Tematem artykułu są filmowe i komiksowe próby rekonstrukcji obrazu przedwojennej Warszawy. Wykorzystanie archiwalnych fotografii przedstawiających stolicę, dawnych kart pocztowych, komputerowe rekonstrukcje wykonane w technologii 3D zwiększają realizm przedstawienia, wywołują efekt naoczności, bliskości, bezpośredniości. Nieistniejąca już dziś Warszawa na nowo ożywa na ekranie i na kartach komiksu.
Dramatic representation. The theater, PN2000-3307, Violetta Urbaniak, Tomasz Gomoła, Koniec lata 1939, komiks, film animowany 3D, The End of Summer 1939, City of Ruins, computer animation 3D, miasto ruin, Marek Mikulski, Maciej Mikulski, comics, Photography, Damian Nenow, Warszawa 1935, Warsaw in 1935, Anna Belka, TR1-1050
Dramatic representation. The theater, PN2000-3307, Violetta Urbaniak, Tomasz Gomoła, Koniec lata 1939, komiks, film animowany 3D, The End of Summer 1939, City of Ruins, computer animation 3D, miasto ruin, Marek Mikulski, Maciej Mikulski, comics, Photography, Damian Nenow, Warszawa 1935, Warsaw in 1935, Anna Belka, TR1-1050
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