A new way of seeing images may be immersing themselves in our imagination: a cadence of images whose speed is greater with each passing day and which, combined with the amount of contradictory information presented to us, forms a new, vertical, dizzying perspective, the perspective of an infinite scroll. “Freefall” is the way Hito Steyerl (2011) refers to this lack or constant subversion of reference systems. In turn, Benoit Mandelbrot argues that, through the perception of fractal objects, in anything apparently chaotic, order can be found. Having as main premises the theories of these two authors, this work intends to interpret the new forms of perception brought by technology, to understand what impact this perspective may have on art, specifically on cinema. To this end, several contemporary works from different areas are analyzed in the light of these proposals. In the practical project, I intend to show, through a film, an interpretation of what the contemporary perspective could be. The internet, images, information, are increasingly spatialized and cover our space and everyday life, where they are increasingly incorporated. Not only physically, through the physical presence of screens of images or technology, but also through the human imagination that I believe is increasingly complex in layers of images, information and interpretations in their daily lives. In this film, the images are everywhere, they share the physical reality with the character and, what before could have only one reading, now has infinite layers of hidden reading, complexified by fractals. Space hides images