
handle: 10400.6/14342
The article here presented is a personal narrative and has the exclusive goal of recording memories for the future. Therefore, it describes the events presented below from a situated perspective: the author’s one. This privileged position, first as a participant, and now, as a nar- rator, could be problematized. Too often, this is an essential step in feminist research that we tend to —naively and reductively— forget. But already in 1929, Virginia Woolf wrote in A Room of One’s Own (2001, p. 2): “a woman must have money and a room of her own if she is to write fiction.” That is, she must have space and time to independently think and write. Taking this premise into account, this narrative starts.
Portugal, História da Arquitetura, Arquitetura e Género, Congressos Internacionais
Portugal, História da Arquitetura, Arquitetura e Género, Congressos Internacionais
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
