[ES]La relaci?n entre el cine y el monumento, entendiendo ambos como formas esenciales de difusi?n y perpetuaci?n de la memoria colectiva, establece una serie de v?nculos fundamentales en la arena pol?tica. A trav?s de tres pel?culas, se profundizar? en las relaciones permeables entre ambos formatos. Los films Entusiasmo: Sinfon?a del Donbass de Dziga Vertov, Lenin on Tour del artista Rudolf Herz y Partisan Songspiel del colectivo art?stico Chto Delat servir?n de ejemplo para el an?lisis de ambas formas en el terreno de lo pol?tico y de sus usos en el espectro de la construcci?n de memoria e ideolog?a. [EN]The relationship between cinema and monument, understanding both of them as essential forms of diffusion and perpetuation of collective memory, establishes fundamental associations in the political arena. Through an analysis of three films, the permeable relations between both forms will be examined. The films Enthusiasm: A Song of Dombass by Dziga Vertov, Lenin on Tour by the artist Rudolf Herz and Partisan Songspiel by the artistic collective Chto Delat will serve as examples for the analysis of both forms in the field of politics and their uses in the spectrum of memory and ideological construction.