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handle: 10261/79777
[ES]A través del siguiente escrito se pretende hacer una primera aproximación metodológica y conceptual que supone la relación entre las ideas de nobleza y música. Más allá de la cuestión del mecenazgo, se propone realizar un estudio en el cual se observe las prácticas musicales (tocar un instrumento, componer música, escribir sobre teoría musical, etc.) dentro de la complejidad socio-cultural de nobleza italiana (y concretamente, la nobleza genovesa) en el siglo XVI y la primera mitad del siglo XVII. Se trata de tomar la música como parte de la socialización y la construcción de la imagen socio-cultural de familias e individuos de la sociedad nobiliaria.
[EN]The aim of this paper is to have a first approach to the methodology and the state of art of my thesis, in which I analyse the relations between the ideas of nobility and music. Beyond musical patronage patterns, I want to propose a study focused on musical practices (to play an instrument, to compose music, to know musical theory) within the social and cultural complexity of Italian nobility (particularly the Genoese) in the sixteenth and seventeenth century. The purpose of my thesis is to observe the music as a tool for socialization and for the construction of socio-cultural images, by families and individuals from noble society.
I Encuentro de Jóvenes Investigadores, Zaragoza, 9 y 10 de Febrero del 2012
Peer reviewed
Genoveses, Nobleza, Renaissance, Italy, Cultural capital, Nobility, Genoese, Capital cultural, Italia, Music, Música, Renacimiento
Genoveses, Nobleza, Renaissance, Italy, Cultural capital, Nobility, Genoese, Capital cultural, Italia, Music, Música, Renacimiento
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