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Arte rupestre en la cuenca del río Aconcagua: formas, sintaxis, estilo, espacio y poder

Authors: Troncoso Meléndez, Andrés;

Arte rupestre en la cuenca del río Aconcagua: formas, sintaxis, estilo, espacio y poder

Abstract

[ES]La presente tesis se centra en la investigación del arte rupestre en la zona central de Chile, en particular, en la cuenca superior del río Aconcagua desde una perspectiva que combina los aportes de la Arqueología del Paisaje y la semiótica para la caracterización e interpretación de esa materialidad.Si bien su desafío principal viene dada por la definición de estilos de arte rupestre y la interpretación de los procesos de construcción social del espacio en el pasado, tras ello se esconde una pretensión bastante mayor, cual prehispánico, por cuanto esta materialidad ha estado amplicamente ausente en las investigaciones arqueológicas en Chile central desde hace ya bastantes décadas, rescatando al arte rupestre desde el segundo, por no decir, tercer plano, en el que se encontraba en la arqueología de la zona y, porque no sugerirlo, en una buena parte del territorio nacional.[EN]This thesis focuses on rock art research in central Chile, particularly in the upper basin of the river Aconcagua from a perspective that combines the contributions of landscape archeology and semiotics for the characterization and interpretation of that materialidad.Si but its main challenge is given by the definition of rock art styles and interpretation of the processes of social construction of space in the past, behind it lies a much larger claim, which pre-Hispanic, as this materiality has been amplicamente absent in archaeological research in central Chile from several decades ago, rescuing the rock art from the second if not third plane, which was in the archeology of the area and, why not suggest it, in a good part of the country.

Consejo Nacional de Ciencia y Tecnología por medio de su proyecto FONDECYT 1040153, que entregó el financiamiento para la realización de una parte importante de las investigaciones en las que se basa esta tesis. Asimismo, al Museo Chileno de Arte Precolombino, por haber creído en el proyecto y haber dado su patrocinio.

Esta tesis fue leída el 1 de diciembre de 2006 en la Facultad de Geografía e Historia de la Universidad de Santiago de Compostela y consta de 352 páginas.

Peer reviewed

Keywords

Chile central, Arqueología del paisaje, Landscape Archaeology, Laboratorio de Patrimonio, Incipit, Heritage Lab, Rock Art, Aconcagua, Arte rupestre

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
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