In this article I think over the capacity of Raimond Llull to imagine, that allows him to introduce characters and situations in his narratives without obstacles. After some general considerations, I pay attention to the development of the imaginative capacity of Lulio in his work «Libro del amigo y del Amado» (Book of the friend and the Beloved), through the analysis of some images of importance. The reader of this work from Llull may note that his main character, the friend (the Christian, Llull himself), maintains the love in a swarm of sensations, in a continuous movement between the sensitive and the raciocinative, through the imaginative faculty. The mystic of Llull is dynamic, with a certain degree of «masochism».