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Article . 2018
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Escenas contemporáneas. La cerámica en el Museo de Arte Contemporáneo Vicente Aguilera Cerni de Vilafamés / Contemporary Scenes. The Ceramic in the Museum of Contemporary Art Vicente Aguilera Cerni of Vilafamés

Authors: Astarloa Izarra, Esther;

Escenas contemporáneas. La cerámica en el Museo de Arte Contemporáneo Vicente Aguilera Cerni de Vilafamés / Contemporary Scenes. The Ceramic in the Museum of Contemporary Art Vicente Aguilera Cerni of Vilafamés

Abstract

Detenernos a observar la obra cerámica que alberga el Museo de Arte Contemporáneo Vicente Aguilera Cerni de Vilafamés (MACVAC) es una oportunidad para reflexionar sobre esta disciplina y ampliar nuestra visión en torno a ella. Muy a menudo, la idea que tenemos sobre la cerámica es limitada, debido en gran parte a la habitual asociación que, al estudiarla, establecemos con la tradición o la alfarería. El encasillamiento derivado de las cuestiones enunciadas, limita sus (nuestras) posibilidades y a la vez contribuye a mantener un canon que genera unas consecuencias tales como la reducida presencia de la cerámica en los museos de arte contemporáneo o la invisibilización e infravaloración con respecto a otras disciplinas artísticas. Otra cuestión sería el tratamiento de género que podemos plantear a la hora de analizarla. Esta perspectiva es importante, pues las desigualdades en base al género se han perpetuado socialmente y también en el ámbito cerámico (pese a la presencia que, seguramente como consecuencia de su desvalorización, aquí tienen las mujeres).

If we stop to observe the ceramic work that houses the Museum of Contemporary Art Vicente Aguilera Cerni de Vilafamés (MACVAC), we find an opportunity to reflect on this discipline and expand our vision around it. Very often, the idea that we have about ceramics is limited, due in large part to the usual association that, when studied, we establish with tradition or pottery. The pigeonholing derived from the issues outlined, limits its (our) possibilities and at the same time contributes to maintaining a canon that generates consequences such as the limited presence of ceramics in contemporary art museums or the invisibility and undervaluation with respect to other artistic disciplines. Another issue would be the gender treatment that we can consider when analyzing it. This perspective is important, because inequalities based on gender have been perpetuated socially and also in the ceramic field (despite the presence that, surely as a consequence of their devaluation, women have here).

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Spain
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Keywords

cerámica contemporánea, Social sciences (General), H1-99, gender perspective, MACVAC, arte-artesanía-industria-diseño, art-craft-industry-design, D1-2009, perspectiva de género, contemporary ceramics, History (General), macvac

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selected citations
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This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
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popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
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