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handle: 10234/187420
Detenernos a observar la obra cerámica que alberga el Museo de Arte Contemporáneo Vicente Aguilera Cerni de Vilafamés (MACVAC) es una oportunidad para reflexionar sobre esta disciplina y ampliar nuestra visión en torno a ella. Muy a menudo, la idea que tenemos sobre la cerámica es limitada, debido en gran parte a la habitual asociación que, al estudiarla, establecemos con la tradición o la alfarería. El encasillamiento derivado de las cuestiones enunciadas, limita sus (nuestras) posibilidades y a la vez contribuye a mantener un canon que genera unas consecuencias tales como la reducida presencia de la cerámica en los museos de arte contemporáneo o la invisibilización e infravaloración con respecto a otras disciplinas artísticas. Otra cuestión sería el tratamiento de género que podemos plantear a la hora de analizarla. Esta perspectiva es importante, pues las desigualdades en base al género se han perpetuado socialmente y también en el ámbito cerámico (pese a la presencia que, seguramente como consecuencia de su desvalorización, aquí tienen las mujeres).
If we stop to observe the ceramic work that houses the Museum of Contemporary Art Vicente Aguilera Cerni de Vilafamés (MACVAC), we find an opportunity to reflect on this discipline and expand our vision around it. Very often, the idea that we have about ceramics is limited, due in large part to the usual association that, when studied, we establish with tradition or pottery. The pigeonholing derived from the issues outlined, limits its (our) possibilities and at the same time contributes to maintaining a canon that generates consequences such as the limited presence of ceramics in contemporary art museums or the invisibility and undervaluation with respect to other artistic disciplines. Another issue would be the gender treatment that we can consider when analyzing it. This perspective is important, because inequalities based on gender have been perpetuated socially and also in the ceramic field (despite the presence that, surely as a consequence of their devaluation, women have here).
cerámica contemporánea, Social sciences (General), H1-99, gender perspective, MACVAC, arte-artesanía-industria-diseño, art-craft-industry-design, D1-2009, perspectiva de género, contemporary ceramics, History (General), macvac
cerámica contemporánea, Social sciences (General), H1-99, gender perspective, MACVAC, arte-artesanía-industria-diseño, art-craft-industry-design, D1-2009, perspectiva de género, contemporary ceramics, History (General), macvac
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